About Doug Litts

Doug Litts is the head of the Smithsonian American Art Museum/National Portrait Gallery Library.

New Addition to AAPG’s Artist Book Collection

The Smithsonian American Art Museum/National Portrait Gallery (AAPG) Library is pleased to acknowledge the donation of the artist book Florence by Laura Davidson. The book was donated by a library staff member and can be found in the online catalog.

 

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Florence, Laura Davidson. 2003.

The AAPG Library has a collection of artist books (a book or book-like object that is intended as a work of art by its creator) and currently has a display of examples in the reading room. An interview with the book artist Laura Davidson has been featured previously on this blog. The AAPG previously had 5 books by this artist in its collection, but not any of her tunnel books.

 

F39088016115586-2.jpgFlorence, Laura Davidson. 2003.

 

A tunnel books consist of a set of pages bound with two folded accordion strips and viewed through a central hole in the cover. The pages consist of a series of illustrations cut in different shapes and placed one behind the other. Openings in each of the pages page permit the viewer to see through the entire book to the back, and images on each page work together to create a sense of depth. What results is a dimensional scene like looking into a tunnel.

Florence is the first in a series that show the artist’s favorite views. This book shows a panorama of the city of Florence from the steps of the church of San Miniato al Monte. The artist has painted on Muirhead guides and Baedeker travel guides. The book is printed on #65 Mohawk superfine Warm White and the pages are laser cut and assembled by hand.

The AAPG library is delighted to add this book to its artist book collection and is grateful for the generosity of the donor. The book will now be available to users for display and study for generations to come.

ARLIS/NA Art Librarians visit the Libraries

Last month the Smithsonian Libraries hosted the fall meeting of the Washington DC, Maryland & Virginia Chapter of the Art Libraries Society of North America (ARLIS/NA). Close to 30 art and architecture librarians from the region came for a day of learning about some of the initiatives spearheaded by the libraries balanced with an exhibition and library tour at the Freer/Sackler.

 

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Erin Rushing, the Digital Images Librarian and Social Media Co-Chair for SIL gave a presentation about the Libraries’ social media initiatives. Recently a working group was organized in order to coordinate SIL’s outreach through social media. Social media gives SIL the opportunity to connect directly with SIL’s users, fans, and friends, as well as to connect with each other while allowing staff and users to easily and quickly share information, generate ideas, and participate in discussions.  With initial focus on the blog, Facebook, and Twitter, strategies and goals for each platform are being developed adapting what works best. Since this group effort is still new and evaluation is still being developed, the group is just beginning to discover what works best and what our users like and respond to. Ultimately the Libraries hopes to promote engagement and to increase the tools that we can serve its users.

Doug Litts, the Branch Librarian for the American Art Museum/National Portrait Gallery Library talked about the various digital projects that the Smithsonian Libraries is pursuing with emphasis on the art resources that are made available to researchers worldwide, such as the Galaxy of Images, the Art and Artists Files database, the Edward F. Caldwell Collection, and the Library and Archival Exhibitions on the Web. He also discussed the Library’s digitization of history, art, and culture material and uploading to the Internet Archive. Doug also discussed other initiatives that SIL is investigating, such as discovery services which would provide greater access to the wide range of resources the Libraries have available online; and the investigation of the purchase of ebooks.

 

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In the afternoon, the group was met by Kathryn Phillips and Yue Shu, two librarians from the Freer Gallery of Art and Arthur M. Sackler Gallery Library. Kathryn gave a tour and history of the library with emphasis on Freer’s dedication to and continuous support of libraries and books. Shu provided a look at a variety of Chinese books books related to the Qing dynasty in China that reflected a tour by the museum archivist of the exhibition Power|Play: China's Empress Dowager. Kathryn and Shu also talked about their interests and how they came to work in the library.

In all the day provided the opportunity to meet with colleagues, share ideas and programs, and to think about the future in art librarianship.

 

New & Notable Additions to the AA/PG Library

The Smithsonian American Art/National Portrait Gallery Library (AAPG) would like to share some of its recent additions to its collections:

Mercurio

Roy Lichtenstein : Meditations on Art. Gianni Mercurio. Milano : Skira ; New York : Distributed in North America by Rizzoli International Publications, c2010.

Contents: Modern postmodern: Roy Lichtenstein / Gianni Mercurio — Lichtenstein: grids silence and art after Manet / Demetrio Paparoni — Connecting the dots / Robert Pincus-Witten — Making an original from a copy / Annabelle Ténèze — Five studios and some musical notes / Frederic Tuten — Meditations on art / interviews selected by Ida Parlavecchio. Modernism and the vernacular ; Beyond the modern ; Beyond Picasso ; Movement and time ; Going abstract ; Mechanization takes command ; Still life ; Frozen brushstroke ; After brushstrokes ; The rational subconscious ; Expressionist codes ; Native pop ; Landscape as iconography — Sources and art references / iconographic research by Elena Paloscia and Evan Reehl Ryer — Roy Lichtenstein: a chronology in brief / Clare Bell.

Subject: Lichtenstein, Roy, 1923-1997 — Exhibitions. N40.1.L69 T7 2010.

Kindersley

The Civil War : A Visual History. Produced in association with the Smithsonian Institution. New York : DK Publishing, c2011.

Contents: An Imperfect Union 1815-1860 – Secession Triggers War 1861 – Clash of Armies 1862 – The Union Tightens Its Grip 1863 – Grant, Sherman, and Total War 1864 – Collapse of the Confederacy 1865 – Legacies of the War 1865-1877.

Subject: United States — History — Civil War, 1861-1865 — Pictorial works; United States — History — 1815-1861 — Pictorial works; Confederate States of America — History — Pictorial works; Confederate States of America — History, Military — Pictorial works. E468.7 .C585 2011.

Steichen

Steichen in Color : Portraits, Fashion & Experiments. Edward Steichen. New York : Sterling Innovation, c2010.

Contents: Photography

Subject: Steichen, Edward, 1879-1973; International Museum of Photography and Film – Collections; Photography, Artistic; Portrait photography; Fashion photography; Color photography; Photographers — United States — Biography. TR647.S812 S7 2010.

Nollen

Paul Robeson : Film Pioneer. Scott Allen Nollen. Jefferson, N.C. : McFarland, c2010.

Contents: Great things to come — Black preacher's ambition : Body and soul (1925) — The growth of an idea : Borderline (1930) — Bloomin' majesty : The emperor Jones (1933) — Imperial palaver : Sanders of the river (1935) — Whale on the Mississippi : Show boat (1936) — Singing king of Casanga : The song of freedom (1936) — Down in the ditch : Big fella (1937) — Enough here for all : King Solomon's mines (1937) — Greener pastures : Jericho (1937) — A people's film : The proud valley (1940) — We were brothers : Native land (1942) — Shantytown shake-up : Tales of Manhattan (1942) — Deep river.

Subject: Robeson, Paul, 1898-1976; African Americans – Biography; African American actors – Biography; African American singers – Biography; Political activists — United States — Biography. CT275.R645 N6 2010.

Rauschenberg

Robert Rauschenberg. Edited by Ealan Wingate and Emily Florido. New York, NY : Gagosian Gallery ; Munich, Germany : Prestel, c2010.

Contents: Full circle / James Lawrence — Plates. — Rauschenberg's epic vision / John Richardson — Chronology 1925-2008 / Susan Davidson and Joan Young — List of works.

Subject: Rauschenberg, Robert, 1925-2008 – Exhibitions; Art, American — 20th century — Exhibitions. N40.1.R24 G34 2010

Barker

Abigail and John Adams : The Americanization of Sensibility. G. J. Barker-Benfield. Chicago ; London : The University of Chicago Press, 2010.

Contents: Origins, definitions, and social circumstances — The metropolitan sources of the Adamses' views of sensibility — The meanings of sensibility — The theory of gendered sensibility — Social circles and the reformation of female manners — Young American women enter the world — Particular applications — A woman's struggle over sensibility — Sensibility and reform — Abigail's perspective, public versus private — John Adams and the reformation of male manners — The pleasures and pains of public life — Private perpetuation — Raising children with sensibility — A reformed rake? — The question answered — Conclusion — The Americanization of sensibility.

Subject: Adams, Abigail, 1744-1818; Adams, John, 1735-1826; Sentimentalism; United States — Social life and customs — To 1775; United States — Social life and customs — 1775-1783;

United States — Social life and customs — 1783-1865. CT275.A21 B3 2010.

Doug Litts

New & Notable Additions to the AA/PG Library

The Smithsonian American Art/National Portrait Gallery Library (AAPG) would like to share some of its recent additions to its collections:

Webb

The Suffering of Light: Thirty Years of Photographs. Alex Webb. New York, N.Y. : Aperture, c2011

Contents: Photography

Subject: Webb, Alex, 1952-; Photography, Artistic. TR647.W365 S8 2011.

Unger

Lion of Liberty : Patrick Henry and the Call to a New Nation. Harlow Giles Unger. Cambridge, MA : Da Capo Press, 2010.

Contents: Tongue-tied– — Tongue untied — The flame is spread — We are slaves! — To recover our just rights — We must fight! — "Give me liberty– " — "Don't tread on me" — Hastening to ruin — Obliged to fly — A Belgian hare — Seeds of discontent — On the wings of the tempest — A bane of sedition — Beef! beef! beef! — The sun has set in all its glory — Appendix A. The speech — Appendix B. Henry on slavery — Appendix C. Henry's heirs.

Subject: Henry, Patrick, 1736-1799; United States. Continental Congress – Biography; Governors — Virginia – Biography; Legislators — United States – Biography; Virginia — History — Revolution, 1775-1783; United States — Politics and government — 1775-1783; United States — Politics and government — 1783-1789. CT275.H525 U5 2010.

Allen

Artists' magazines : an alternative space for art. Gwen Allen. Cambridge, Mass. : MIT Press, c2011.

Contents: This is not to be looked at : Artforum in the 1960s and 1970s — The magazine as a medium : Aspen, 1965-1971 — Art on and off the page : 0 to 9, 1967-69 — An artists' magazine : Avalanche, 1970-76 — The magazine as an alternative space : Art-rite, 1973-1978 — The magazine as mirror : File, 1972-1989 — Real life, 1979-1994 — Epilogue : International activity : Interfunktionen, 1968-1975.

Subject: Art, Modern — 20th century – Periodicals; Art, Modern — 20th century – Historiography. N6490 .A58 2011.

Tracy

John Huston : Essays on a Restless Director. Edited by Tony Tracy and Roddy Flynn. Jefferson, N.C. : McFarland & Co., c2010.

Contents: "Let's just see if it matters": an interview with Anjelica Huston / Tony Tracy — Strange but close partners: Huston, romantic comedy and The African queen / Pablo Echart — The ideological adventure of The man who would be king / Julie F. Codell — The way we were and White hunter, black heart: Huston in fiction and reel life / Patrick McGilligan — Huston's Mexico / Richard Vela — The discreet charm of Huston and Buñuel: notes on a cinematic odd couple / Neil Sinyard — Huston and the American South: The night of the iguana and Wise blood / Gary D. Rhodes — Re-visioning the Western: landscape and gender in The misfits / Georgiana Banita — Ethical commitment and political dissidence: Huston, HUAC, Hollywood and Key Largo / Reynold Humphries — King adapter: Huston's famous and infamous adaptations of literary classics / Page Laws — The melodramatic conscience of In this our life / Victoria Amador — The Irish accent of The dead / Michael Patrick Gillespie — A walk with love and death: from the jacquerie of 1358 to the turbulence of 1968 / Peter G. Christensen — The Western, The Westerner, The Westerness: William Wyler, Menippean Satire and John Huston's The life and times of Judge Roy Bean / Lesley Brill — John Huston and an Irish film industry / Roddy Flynn and Diog O'Connell — Recollections of Huston: a conversation with Wieland Schultz-Keil / Tony Tracy.

Subject: Huston, John, 1906-1987 — Criticism and interpretation. CT275.H965 J6 2010.

Manoguerra

One Hundred American Paintings. Paul Manoguerra ; with entries by Janice Simon, Lynn Boland, and William U. Eiland. Athens, Ga. : Georgia Museum of Art, University of Georgia, c2011.

Contents: Art for everyone : the legacy of Alfred Heber Holbrook and the American painting collection / Paul Manoguerra — Catalogue / entries by Paul Manoguerra, Janice Simon, Lynn Boland, and William U. Eiland.

Subject: Holbrook, Alfred Heber, 1874-1974; Georgia Museum of Art – Catalogs; Painting, American – Catalogs; Painting — Georgia — Athens — Catalogs. ND205 .G46 2011.

Culkin

Harriet Hosmer : A Cultural Biography. Kate Culkin. Amherst : University of Massachusetts Press, c2010.

Contents: Introduction: A Woman of Her Time – “She Will Do Much for the Cause of Womanhood” – “The Conception of the Stature is Masterly” – “Her Whoe Soul Was Filled with Zenobia” – “It Will Be a Manly Work” – “Female Sculptors Have Ceasted to Be a Novelty” – “Something Has Come into Our Love” – “The Isabella Road Has Been the Longest” – “One of the ‘Old Guard’ of Feminine Progress.

Subject: Hosmer, Harriet Goodhue, 1830-1908; Sculptors — United States – Biography; Women sculptors — United States – Biography; Expatriate sculptors — Italy — Rome – Biography; Art and society — United States — History — 19th century. N40.1.H823 C8 2010. 

—Doug Litts

 

Artist’s Books on Display at the AAPG Library

Hypotenuse

This display presents a diverse selection of formats, media, and conceptual approaches from the Smithsonian American Art Museum/National Portrait Gallery Library’s artist’s book collection.  An artist’s book is a book or book-like object that is intended as a work of art by its creator. Often issued in limited editions or produced as unique works, artists’ books exist in a variety of shapes, sizes, and media. They challenge our common perception and understanding of the book, demonstrating that the book is not limited to the codex format. The inventive combination of form, text, and image in artists’ books invite us to unfold, unfurl, read, respond, act, and create.

The artists’ books on view demonstrate the variety and depth of the genre. Maria Pisano’s Entangled reveals a delicate, layered floral design, whereas her X Y Z is a playful accordion-style book. Kurt Allerslev’s Hypotenuse (a2 + b2 = c2) juxtaposes organic materials with the form of a right triangle to communicate the parallels between mathematics and nature. Laura Davidson’s creations, including Visible Invisible, Inner Workings, and The Body Temple, artfully combine prints, found objects, paint, text, and wooden boards to produce sculptural books in codex form. Seasonal Turns: Four Accordion Books by Bea Nettles is a series of photographs that represent the four seasons. Finally, Fluxus artist George Brecht’s Water Yam is a conceptual work that invites participation, while Don Celender’s Artball is a set of “baseball cards” that encourages conversation and exchange.

Visible Invisible

This installation is part of a larger project to discover and highlight the artists’ books in the Smithsonian Institution’s art libraries.  A team of Smithsonian Institution librarians and interns is analyzing the accessibility of the collection through the library catalog; investigating new ways to explore the collection through digitization and social media; and exploring options for collaborative projects both within and outside the Smithsonian Institution, including an exhibition and an ongoing artist’s book blog.

Chloe Barnett and Stephanie Fletcher

The AAPG Library is located on the second floor of the Victor Building at 750 9th Street and is open from 10 am to 5 pm.

Image 1: Hypotenuse (a2 + b2 = c2) by Kurt Allerslev, 1999, unique, mixed media: beet juice, algae, turmeric, flower pigments, etc., mixed with plant and seaweed particles.

Image 2: Visible Invisible by Laura Davidson, 1992, 7 of 35, consists of one continuous sheet of cream paper folded to form 6 p. with handprinted lino cuts and other hand stamped illustrations mounted on 5 p.; bound in painted wooden boards with aluminum angel wing mounted on front cover.