This post was contributed by Michael O’Connor, contract cataloger. Directly across the street from DC’s Union Station is the spectacular 1914 neoclassical structure that houses the Smithsonian’s National Postal Museum (NPM). Since July of 2013 I have worked as a project cataloger on NPM Library’s Small Journals Project, an effort to catalog thousands of rare periodicals from the 1800s to the present.
Each year archives, libraries, museums, and arts and historic preservation organizations set aside May 1 to participate in MayDay, an initiative created by Heritage Preservation to protect cultural heritage from disasters. Organizations are encouraged to do one thing for emergency preparedness. This year, the Libraries would like to share with you the content of our Emergency Response Kits.
April is Volunteer Appreciation Month and boy, do we ever appreciate our wonderful volunteers! The dozens of volunteers placed with us at the Smithsonian Libraries truly help us run. They include students, professionals, retirees and even former Libraries staff members. Here are a few special volunteers who help make our organization great. A heart-felt “thank you” to each and every one, as well as all of the other amazing folks behind the more »
On April 30th, in celebration of Preservation Week , the Smithsonian Libraries will host a question and answer session with our book conservator, Katie Wagner. Do you have a question about how to care for your own books or how we care for ours at the Smithsonian? Now is your chance to ask our expert!
This post was written by Hirshhorn Museum and Sculpture Garden Library volunteer, Elena Grant. The Hirshhorn Museum and Sculpture Garden Library is working on getting the attention of area’s curators to Smithsonian Libraries’ resources on Latin-American art and connecting them with the Hirshhorn Museum team.
March 17th is widely celebrated as St. Patrick’s Day but it also happens to be the birthday of notable childrens’ book illustrator Kate Greenaway. Born in London in 1846, she studied art at various schools, such as the Heatherley School of Fine Art, and began her career in watercolors and cards. She was a contemporary or Walter Crane and Randolph Caldecott and good friend to Victorian art critic John Ruskin.