In the series called “The ABCs of the Corcoran Artist Files” the American Art and Portrait Gallery (AA/PG) Library will explore artists through the materials from the recent Corcoran Vertical File Collection donation by featuring artists whose surnames begin with that letter. This time we are looking at the artists whose last names that start with D.
This post was written by Brittney Falter, a graduate student at George Mason University and social media intern at the Smithsonian Libraries. Walter Crane was born on the 15th August, 1845 in Liverpool, England. His father, Thomas, was a portrait painter, which allowed Walter to take an interest in art as a child. He would often work in his father’s studio and gained knowledge and experience of the artistic world. After his father’s death, Walter was offered an apprenticeship with William James Linton at his engraving shop.
In conjunction with the exhibition “Hard-edged, Bright Color: The Washington Color School” at the American Art and Portrait Gallery (AA/PG) Library, the blog will be exploring the group of color artists to accompany the exhibit running until late spring. We’ll be exploring three of the “first generation” Washington Color School artists: Thomas Downing, Howard Mehring, and Paul Reed.
From November 28th through December 9th, the Smithsonian Libraries, Smithsonian Institution Archives, Biodiversity Heritage Library, Smithsonian Field Book Project and Smithsonian Transcription Center will host the #ManyHatsofHolmes transcription event. Help us transcribe the digitized volumes of William Henry Holmes’ Random Records of a Lifetime, 1846-1931 to discover more about his expeditions, adventures and his Smithsonian days. Throughout the campaign, we’ll take a deeper look at Holmes’ life through particpating blogs and share more »
December 1st is the 170th birthday of William Henry Holmes, the Smithsonian’s own Renaissance man. Early in the Smithsonian’s history, Holmes served as the head of the Anthropology Department and later the first director of what would become the Smithsonian American Art Museum. Starting today, we’re celebrating his legacy.
In conjunction with the exhibition “Hard-edged, Bright Color: The Washington Color School” at the American Art and Portrait Gallery (AA/PG) Library, the blog will be exploring the group of color artists to accompany the exhibit running until late spring. We’ll be exploring three of the “first generation” Washington Color School artists: Morris Louis, Kenneth Noland, and Gene Davis. You can read the first post in this series here. The 1950s and 1960s more »
Recently an Artist’s Book, from the American Art and National Portrait Gallery Library, arrived at the Conservation Lab in need of a suitable protective housing. The Quilts of Gee’s Bend by Carolyn Shattuck is a “flexagon” book, a flexible structure made from a chain of tetrahedrons. The book can be manipulated into different shapes and has many vibrant illustrations on the various facets. (Click the Hyperlinks to explore more about this book more »
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