Written by Jessica Masinter. She is an intern in the Cooper Hewitt Library and a literary studies major at Middlebury College. This follow up blog to “The Textile Thief and the Great British Manufacturers,” focuses on Watson’s samples of turban pieces and their significance in India in the mid-1800s. When J. Forbes Watson was collecting samples for his collection Textile Manufactures of India, turbans were worn almost universally throughout India. In Watson’s more »
Written by Jessica Masinter. She is a summer intern in the Cooper Hewitt Library and a literary studies major at Middlebury College. In the seventeenth and eighteenth centuries, Indian textiles were the height of quality. Their exotic patterns, brilliant colors and dye fastness drove customer appeal among the English bourgeoisie to the point where India was considered by some to be the industrial workshop of the world. British textile manufacturers desperately tried more »
In the series called “The ABCs of the Corcoran Artist Files” the American Art and Portrait Gallery (AA/PG) Library will explore artists through the materials from the recent Corcoran Vertical File Collection donation by featuring artists whose surnames begin with that letter. This time we are looking at the artists whose last names that start with E.
Studying Design All incoming students in The New School Parsons History of Design and Curatorial Studies (MA) Masters’ Degree Program at the Cooper Hewitt, Smithsonian Design Museum take an object and research based class called Pro-Seminar.
“Easter Parade” is still a popular song- lots of little kids today know this old tune from their musical animal toys. You might know the lyrics and tune to sing along with the first 2 lines of the chorus of “In your Easter bonnet, with all the frills upon it…” Written by Irving Berlin in 1933, the song was also the basis of the iconic 1948 movie musical starring Judy Garland and Fred Astaire. The song was introduced by Marilyn Miller and Clifton Webb on Broadway as part of the musical revue As Thousands Cheer (1933), in which musical numbers were strung together on the thematic thread of newspaper headlines and the lives of rich and famous people.
In conjunction with the recent exhibition “Hard-edged, Bright Color: The Washington Color School” produced by Angelique Roy at the American Art and Portrait Gallery (AA/PG) Library, the blog has been exploring the group of color artists featured in the exhibition.
This post was written by Alexandra K. Neuman, library technician in the Joseph F. Cullman 3rd Library of Natural History. The pigeons most of us are used to seeing—the ones that suddenly appear out of nowhere and descend upon a dropped bit of food—are often various shades of grey, some with touches of brown. No drama. However, different breeds of pigeon can be very dramatic indeed—as can scholarship more »
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