Today in the 21st Century, it’s not uncommon for people to ride bicycles to work. Even on these cold winter days, there seems to be at least a few people out on their bikes. But let’s take a look back to see what your bicycle might have looked like in the late 19th Century.
The post was written by Mark Coulbourne, Towson University student and fall intern in the Smithsonian Libraries Research Annex. For the Fall Semester I was an intern at the Smithsonian Libraries Research Annex (SLRA), and was tasked with evaluating 19th and early 20th century monographs for digitization. My work with librarian Daria Wingreen-Mason centered on the areas of photography, exploration, Alaska, and zoology.
In the series called “The ABCs of the Corcoran Artist Files” the American Art and Portrait Gallery (AA/PG) Library will explore artists through the materials from the recent Corcoran Vertical File Collection donation by featuring artists whose surnames begin with that letter. This time we are looking at the artists whose last names that start with D.
The Smithsonian Libraries would like to invite our colleagues to two January events, both of which are free and open to the public. More details are below. We hope you’ll join us! Color in the Scientific Image Mazviita Chirimuuta, Department of History and Philosophy of Science, University of Pittsburgh 6:00pm, Friday, January 13, 2017 Warner Bros Theater at the National Museum of American History 12th Street and Constitution Ave NW more »
In preparation for the December 1st, 2016 170th birthday of William Henry Holmes we repaired several of his “Random Records of Lifetime”. The repairs enabled the volumes to be digitization and included in the transcription project. This is volume 1 of his multi-volume memoir/scrapbook.
Recently while searching for furniture catalogs in the Trade Literature Collection, I came across something very unexpected. The Smithsonian Institution was mentioned in one of the catalogs.
This post was written by Brittney Falter, a graduate student at George Mason University and social media intern at the Smithsonian Libraries. Walter Crane was born on the 15th August, 1845 in Liverpool, England. His father, Thomas, was a portrait painter, which allowed Walter to take an interest in art as a child. He would often work in his father’s studio and gained knowledge and experience of the artistic world. After his father’s death, Walter was offered an apprenticeship with William James Linton at his engraving shop.
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