Around March, I’ll be forgiven if I start to pay a little more attention to the genders of the people I come across in our digital book and journal collection. After all, it is Women’s History Month. But one journal I keep coming back to is Keramic Studio, a monthly ceramics magazine produced around the turn of the 20th century that we digitized a couple years ago as part of our Books Online collection. Adelaide Alsop-Robineau began the journal in 1899, and it continued to be published into the 1920s. The work featured in the early years of the journal was primarily contributed by women, including Alsop-Robineau herself, along with her co-editor Anna B. Leonard. Both women were well known ceramics painters and designers. I find myself returning to the journal and perusing the many images and illustrations, especially when I need a dose of design inspiration.
Many books within the various general collections of the Smithsonian Libraries arrive at the Book Conservation Lab in need of similar treatment. Though the several collections in the Natural History Museum Libraries are largely filled with science related items, some reveal aspects of the natural world through artistic and literary presentations. Recently, a book of this type, entitled The Poetry of Nature, selected and illustrated by Harrison Weir and published in 1868, more »
The Smithsonian Libraries is pleased to announce the new webpage of the Smithsonian Libraries Artists’ Books Collection!
—This post was contributed by Rita Sausmikat and Maya Riser-Kositsky, interns at the American Art Museum/National Portrait Gallery (AA/PG) Library summer 2014. An “artist’s book” can generally be defined as a work of art in book form, though this guideline is interpreted and finessed to fit the artist’s vision. Commonly, artists’ books are portable and interactive, and utilize a plethora of methods, technologies, and materials. Just as with artwork, artists’ books often more »
While cataloging Polynesian Researches during a Residence of Nearly Eight Years in the Society and Sandwich Islands (London: 1831-1833; DU510 .E47 1831 SCNHRB), a transfer from the Department of State’s library to the Joseph F. Cullman 3rd Library of Natural History, I was intrigued by the title page vignette in the fourth volume of the set. Depicted in this little engraved scene is a group of surfers riding a break on narrow more »
~This post was written by Katherine Williamson, an intern at the American Art/ Portrait Gallery library. As part of my work as an American Art/Portrait Gallery Library (AA/PG) intern, I answer reference questions from patrons that involve some type of research, either within our collection or using online sources that the library subscribes to. One of the most interesting reference questions I have received actually came from our Head Librarian, Doug Litts. Through his own research involving the original location of the AA/PG library – Room 331 of the main museum building – he came across a list of paintings, a marble bust and a cast iron sculpture, that were located in what was known as the NCFA/NPG Library when it was housed in the museum. Through circumstances unknown to us, those artworks were never transported to the Victor Building when the library moved here in 2000. He became very interested in the history of the artworks, as well as where they are now, and recruited me to help him more »
Not to brag, but we’ve got a pretty cool new research tool to show off: OneSearch.