-+*Organizations which respond to the changing needs of their clients are the ones that survive well. Here are two examples: Shortly after General Motors began manufacturing cars in the early 1900s it created a unit (GMAC), which loaned money to car buyers and earned interest on these loans. Although known worldwide as an industrial powerhouse, eventually GM began earning far more profit from this money-lending operation than they did from auto sales. more »
-+* Starting with a summer professional internship project in 2011, Smithsonian Libraries has been working to share its collection of artists’ books. One of the end products of the this initiative has been the creation of a new Smithsonian Libraries artists’ book collection portal where visitors can explore the many artworks in the collection and learn more about the medium.
-+*Smithsonian Libraries is pleased to welcome Michael Keeling to the Preservation Services Department. Michael is a D.C. native and a graduate of Johns Hopkins University and the NYU creative writing program. Previously, he worked as a collections care technician at the Library of Congress.
-+*It is with great sadness that we tell you of the sudden death of Sharon Layne, Library Technician in our Preservation Services Department, on December 18, 2014. Sharon was a faithful, dedicated employee of the Smithsonian for 26 years.
-+*A proud native of Washington, D.C., Salima Appiah-Duffell calls her new art library roving position the beginning of her “second career.” She splits her time between the Smithsonian American Art Museum and National Portrait Gallery Library and the Hirshhorn Museum and Sculpture Garden Library. Prior to coming to the Smithsonian, Salima served as a Peace Corps volunteer in Malawi and worked as a program analyst at the Department of Housing and Urban more »
-+*Originally from Nebraska, Lesley Parilla is our new cataloger for the Field Book Project. Her first position at the Smithsonian was as a volunteer at the National Museum of Natural History, where she met the staff establishing the Field Book Project. Lesley soon became the first contractor hired for the Project and helped develop its initial cataloging procedures and workflow. The Project then migrated to the Smithsonian Institution Archives, until the summer more »
-+*When asked about her role as the Smithsonian Libraries’ program coordinator, Susan Frampton retorts, “Well, this week I’ve chased down old photos of women with dead birds on their hats.” The truth is, there is no ordinary day for Susan; she’s like a cook who has many pots on the burner at once, and it’s a lucky day when there are no stray fires to extinguish. She regularly collaborates with Libraries staff, as well as with colleagues around the Institution and beyond.
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