Research value? Taking the long view with weeding and digitizing at the AA/PG Library

The Real Latin Quarter

–This post was contributed by Kimberly Lesley, American Art and Portrait Gallery Library intern, summer 2012.

This summer I had the opportunity to work on two projects at the Smithsonian American Art Museum/National Portrait Gallery Library: evaluating titles from the print reference section and selecting public domain titles for digitization. The majority of time was spent on the former, evaluating once heavily relied upon indexes and reference titles against databases and open access online resources. As I paged through volumes of reference titles I was grateful for the vast amounts of information available online with a few keywords and a couple clicks. Continue reading

Rock art: Best Kept Secret of the Warren M. Robbins Library

A while ago, before the internet, I became interested in studying Saharan rock art, one of the most beautiful and extensive bodies of prehistoric art, but documentary references were hard to find. This is partly because most of the published literature on Saharan rock art is in French, Italian and German.

Dabous

Dabous Giraffes, Ténéré Desert, Niger

One day at the Library of Congress, someone told me to check the Smithsonian Institution Libraries, which I did not know existed. I headed to the National Museum of African Art, and to my delight, found much of what I needed there. Indeed, the Warren M. Robbins Library has an important collection of literature on Saharan rock art and archaeology, including the works of leading researchers such as Leo Frobenius, Henri Lhote, Gabriel Camps, Fabrizio Mori, Alfred Muzzolini, Jean-Loïc Le Quellec, and Malika Hachid.

Giraffes

Giraffes Messak, Libya, in D.Cambel and A. Coulson (Fig. 216)

One of the best books on Saharan rock art is Muzzolini’s Les images rupestres du Sahara (Toulouse, France: Alfred Muzzolini, 1995). Incorporating years of extensive field research and studies, and abundantly illustrated, Muzzolini’s book integrates rigorous scientific methods and lays the ground for a sound understanding of Saharan rock art. Similarly thorough in its investigative approach but providing a different interpretation of rock art is Mori’s The great civilizations of the ancient Sahara: neolithization and the earliest evidence of anthropomorphic religions (Roma: L’Erma di Bretschnider, 1998). Also comprehensive in their anthropological treatment of Saharan rock art are Hachid’s Le tassili des Ajjer (Paris: Éditions Paris-Méditerranée; Alger: Edif, 2000); and Le Quellec’s books, Symbolism et art rupestre au Sahara (Paris: Harmattan, 1993); and Art rupestre et préhistoire du Sahara (Paris: Editions Payot & Rivages, 1998).

 

Le tassili
In addition to these seminal works, the Library has numerous new publications on various site-specific areas of Saharan rock art. Copiously illustrated with colorful pictures that accompany thematic discussions and comments, they bring Saharan rock art alive. Such, for example, are Axel and Anne-Michelle Van Albada, La montagne des homme-chiens: art rupestre du Messak Libyan (Paris: Editions du Seuil, 2000); Rüdiger and Gabriele Lutz, The secret of the desert: the rock art of Messak Settafet and Messak Mellet, Libya (Innsbruck: Univeritstbuchhanlung Golf Verlag, 1995); Angelo e Alfredo Castiglioni, e Giancarlo Negro, Fiumi di pietra: Archivio della preistoria sahariana (Tonali, Italy: Edition Lativa, 1986); and Yves and Christine Gauthier, L’art du Sahara: archives des sables (Paris: Seuil, 1996).

The Library also receives excellent reviews, journals and newsletters on rock art and archaeology, including, for example, Sahara: prehistory and history of the Sahara; Journal of African archaeology, African archaeological review; and Trust for African Rock Art newsletter. Of these, the multilingual Sahara is the best in terms of current research, content, and scientific rigor.

African rock art

David Coulson and Alec Campbell

Rock art across the continent is equally represented, especially the well documented Southern Africa region, but also less well-known regions, such as Ethiopia and Eritrea. The Library holdings count valuable continent-wide surveys and studies of African rock art, including David Coulson and Alec Campbell, African rock art (New York: Harry N. Abrams, 2001); and Le Quellec, Rock art in Africa: mythology and legend (Paris: Flammarion, 2004).

 

Bubalus

Bubalus, Sfaisifa, Algeria. ©Ahmed Achrati

To check library resources on African rock art, go to www.siris.si.edu  Search terms: Rock art; Rock engravings; Rock paintings; or Petroglyphs.

Ahmed Achrati, Volunteer Researcher, Warren M. Robbins Library, National Museum of African Art

 

Cutest Assemblages of Electrons

It's not only e-books that are electron-rich. Books are jam-packed with electrons, too! Plus, books can be cute, intriguing, glamorous … we could go on … and they have inspired lots of artists.

Here are some images for your delectation from a book by Barry Nemett, a local artist and Chair of Painting at the Maryland Institute College of Art.

Books1

Books5

Books2

Books4

We have just added the book to our collection:

Barry Nemett: paintings, poems, & passages. Bloomington, IN : Authorhouse, 2009.

And we have a lot more book art — here are examples of additional titles you might wish to check out:

Bibliomancy: an exhibition of holograms, by Susan Gamble and Michael Wenyon. Boston, Mass. : Boston Athenaeum, c1998.

John Latham: time-base and the universe. Southampton : John Hansard Gallery, c2006.

Reading women. Stefan Bollmann; foreword by Karen Joy Fowler; translated by Christine Shuttleworth. London; New York: Merrell, 2006.

The other book: the book as image and object in art. Sally Alatalo and Karen Reimer, Gerry Sue Burdette … [et al.] [Cleveland, Ohio] : Cleveland State University Art Gallery, [1999].

Stella Waitzkin, selected work 1973-1983: Everson Museum of Art, March 25-May 29. Syracuse, N.Y.: The Museum, [1983?].

F. Scott & Zelda Fitzgerald at the AAPG Library

In Woody Allen’s latest film Midnight in Paris, a modern-day writer finds himself repeatedly traveling back in time to Paris at the height of the 1920’s. While there he meets a number of the period’s famous writers and artists, from Ernest Hemingway and Gertrude Stein to Salvador Dali and Pablo Picasso. Seeing this film made me want to learn more about the fascinating lives of these people, so I decided to research Scott and Zelda Fitzgerald, who in the film introduce us to the world of Paris in the twenties.  

zeldacollage

Francis Scott Fitzgerald was born on September 24, 1896 in St. Paul, Minnesota. His early years were spent moving back and forth between Minnesota and New England. Scott started at Princeton in 1913, withdrawing in 1915 and retuning a year later only to withdraw again in late 1917 to enlist in the army for WWI. He never graduated from Princeton, and the war ended before his unit was sent overseas. While in the army he began working on his first novel The Romantic Egotist (later to become This Side of Paradise).

Zelda Sayre Fitzgerald was born on July 24, 1900 to a prominent southern family in Montgomery, Alabama. Even in her teenage years, Zelda was known as a great beauty and also as a source of gossip due to her dramatic, sometimes scandalous behavior. Scott and Zelda met at a dance in Montgomery in 1918 while Scott was still in the army. Scott and Zelda began a courtship that continued over the next two years. In 1920, This Side of Paradise was published to much success and the two were married shortly afterward. Their only child, Frances Scott Fitzgerald (known as Scottie), was born in 1921, and in 1922 Scott’s second novel The Beautiful and Damned was published.  

fitzgeralds

The Fitzgeralds left for Europe in 1924 where Scott worked on his next novel, The Great Gatsby. This novel was published in 1925, and a few weeks later the Fitzgeralds rented an apartment in Paris. While in Paris, Scott developed a particularly close and sometimes complicated friendship with writer Ernest Hemingway. However, Zelda strongly disliked Hemingway, and this friendship, along with an affair Zelda had on the Riviera in 1924 with a French pilot, contributed significantly to the growing amount of conflict and jealousy in the Fitzgeralds’ marriage. Over the next five years the family traveled to various places, returning to Paris in 1930. While there Zelda, who had become increasingly unstable, had her first mental breakdown. She was admitted to a sanatorium and eventually diagnosed with schizophrenia. Zelda spent time in many different clinics, and in 1932 while living in a clinic in Baltimore she wrote her novel Save Me the Waltz. During this period Scott was living in various cities, and his fourth novel Tender is the Night was published in 1934.

By the end of 1936, Scott and Zelda were living on opposite sides of the country and their marriage was essentially over, although they continued to exchange letters until Scott’s death. Throughout the late '30’s Scott suffered financial problems that forced him to work on short stories and Hollywood scripts to make ends meet. He was also working on his final novel, The Last Tycoon, which was published in 1941 after his death. He had a relationship in California with gossip columnist Sheilah Graham that lasted until he died from a heart attack on December 21, 1940. Zelda had entered Highland Hospital in Asheville, North Carolina in 1936, and she was in and out of this hospital for the rest of her life. In March of 1948 a fire swept through the hospital, killing nine women, including Zelda. Known as literary celebrities in their lifetime, the Fitzgeralds remain today symbols of the jazz age and the Lost Generation.

The Library for the Smithsonian American Art Museum/National Portrait Gallery (AAPG) has several biographies on the lives of the Fitzgerald. The library also has a vertical file on Zelda and her artwork.

Meyers, Jeffrey. Scott Fitzgerald: A Biography. New York: HarperCollins Publishers, Inc., 1994.

Prigozy, Ruth. F. Scott Fitzgerald. New York: Overlook Press, 2002.

Taylor, Kendall. Sometimes Madness is Wisdom. New York: Ballantine Books, 2001.

Wagner-Martin, Linda. Zelda Sayre Fitzgerald: An American Woman’s Life. New York: Palgrave Macmillan, 2004.

Bethany Gugliemino

Bethany Gugliemino is a summer intern from the National Portrait Gallery interning at the Smithsonian American Art Museeum/National Portrait Gallery Library. She is a rising sophomore at the University of Florida.

New and Notable—Cooper-Hewitt Design Museum Library

The Libraries would like to highlight some new titles that have been added recently to the Cooper-Hewitt Design Museum Library.

NK7308 .H56 1982XMedievaljewellery

Designing Interactions, Bill Moggridge, QA 76.9 .H85 M64 2007 CHM

The Bauhaus Group: Six Masters of Modernism, Nicholas Fox Weber, N 332 .G33 W483 2009 CHM

Parks, Plants, and People: Beautifying the Urban Landscape, Lynden B. Miller, SB 470.54 .N6 M55 2009 CHM

The Architecture of Grosvenor Atterbury, Peter Pennoyer Anne Walker, NA 737 .A86 P46 2009 CHM

Art Deco Jewelry: Modernist Masterworks and their Makers, Laurence Mouillefarine Évelyne Possémé, NK 7310.3 .A78 B5513 2009 CHM

Herman Miller: The Purpose of Design, John R. Berry,  NK 2439 .H42 A4 2009 CHM

Medieval Jewellery in Europe, 1100-1500. Marian Campbell. NK 7308 .C36 2009 CHM

 

—Carlieanne Erickson and Mabel Frias