The Fix: Flawless Fills with Paper Pulp

On September 9-11th, Smithsonian Libraries hosted the workshop: “Using Pigment-toned Paper Pulp to Create Flawless Fills for Works of Art on Paper and Archival Material,” instructed by Margo McFarland-Rothschild, who has taught these techniques previously at the Campbell Center for Historic Preservation Studies and has her own conservation and consulting practice in the Chicago area. At Smithsonian Libraries’ Book Conservation Lab participants prepared and pigmented paper pulp to use in concert with more »

Welcome, Jennifer Jarvis!

The Smithsonian Libraries Book Conservation Lab would like to extend a warm spring welcome to Jennifer Jarvis, who will be joining Preservation Services as a book conservator.

Celebrate Preservation Week!

Memories and treasures should last a lifetime and be passed on to future generations. Sponsored by the ALA’s Association of Library Collections and Services and partner organizations, Preservation Week was created in 2010 to address the roughly 630 million items in collecting institutions that are in need of immediate attention and care, as well as to help individuals protect and store their personal, family and community collections.

A Typical Case of Repair Work

Many books within the various general collections of the Smithsonian Libraries arrive at the Book Conservation Lab in need of similar treatment. Though the several collections in the Natural History Museum Libraries are largely filled with science related items, some reveal aspects of the natural world through artistic and literary presentations. Recently, a book of this type, entitled The Poetry of Nature, selected and illustrated by Harrison Weir and published in 1868, more »

A postgraduate work placement experience

This post was written by Roger Williams, intern in our Book Conservation Lab. I came to the Smithsonian for six weeks for the work-placement segment of my studies at West Dean College. As a Virginia native and a longtime visitor of the Smithsonian, I was excited at the opportunity to get some real-world experience both close to home and at one of the most impressive museums on the planet.

The Fix – Paperwork you can love

This post was written by Vanessa Haight Smith, Head of Preservation Services. The Book Conservation Lab makes use of hand-made marbled papers in some of our book treatments and projects.  Originally used for decorative book covers and endsheets, marbled papers are occasionally replaced during treatments with new handmade papers when the originals are substantially damaged or missing. 

The Fix – The Art of Camouflage

This post was written by Vanessa Haight Smith, Head of Preservation Services.  Japanese paper is used for many applications in book and paper conservation and I often choose this material when reattaching weak or detached boards.  The practice of toning Japanese paper hinges for reattaching boards to leather bindings, promoted by conservator Don Etherington, is widely used in the field.

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