Last year a book came into the Book Conservation Lab as part of the Smithsonian Libraries Adopt-a-Book program. The book, Systema Entomological by Heinrich Buchecker, was in two distinct pieces – text and plates. The color lithographic plates, depicting dragonflies, were printed on paper that is a higher quality than the text. Unfortunately, the text is printed on highly acidic paper that has become brittle with age. Usually the decision to post bind is more »
On November 20-22 the Smithsonian Libraries hosted a three day workshop, “Understanding Asian Papers and their Applications in Paper Conservation,” given by Minah Song, a paper conservator at the Conservation Center for Art and Historic Artifacts (CCAHA) in Philadelphia. The workshop began with a lecture on the process of papermaking in China, Korea and Japan and then moved onto hands-on techniques including learning different lining techniques, toning or paper with fiber reactive dyes, parchment repair and more »
From the outside “A Samoan Dictionary” looks fairly innocuous, but inside lies horror that would strike fear in the heart of any conservator (or book lover). The cover looks like an after thought – a simple piece of vellum with a handwritten title. Upon closer inspection it is evident that the cover is a recycled piece of vellum. The faint images of rows of typed numbers are visible to the naked eye. more »
April 21-27 is Preservation Week! In honor of this event, we’ve featured preservation-related content on the Smithsonian Libraries’ blog as well as our other social media outlets, like Facebook, Twitter and Tumblr. We hope you’ve enjoyed getting a peek at preservation activities at the Smithsonian Libraries and beyond. Today we have few helpful links that might assist you in caring for your own books and collections!
The conservation lab received, from the American Art Museum/National Portrait Gallery Library, a first edition of the first Bauhaus exhibition catalog: Staatliches Bauhaus, Weimar, 1919-1923. In addition to being a rare copy of this catalog, it is inscribed to the painter Werner Drewes by his Bauhaus teacher, Wassily Kandinsky. The book was in disrepair with the covers detached. A spine “replacement” fashioned out of a piece of electrical tape had left tape residue on the Herbert Bayer designed cover. Additionally, the paper used for the catalog was highly acidic and discolored and the acidic clay coated plates were chipping.