*+-This post was written by Salima Appiah-Duffell, library technician at the Smithsonian American Art Museum/National Portrait Gallery Library and Hirshhorn Museum and Sculpture Gallery Library. Salima recently joined our staff in July. Welcome, Salima! When I started library school at Catholic University, working at the Smithsonian (Institution) seemed like a beautiful, but impossible dream. Now, with my Master’s in hand, I’ve started my second career exactly where I hoped. I’ve been a more »
*+-The Hirshhorn Museum and Sculpture Garden was established in 1974 as a beacon of the art of our time. This year, the museum is celebrating its 40th anniversary with a series of exhibitions and projects drawn from and inspired by our expansive library collection including Salvatore Scarpitta: Traveler Days of Endless Time, and Speculative Forms, featuring installations that re-examine key moments and figures in modern and contemporary art. Since its inception, the museum’s library more »
*+-Jeremy Deller (British, 1966-) has been known for his art work that pulls his audience into actively discussing and confronting political, social, and historical issues. His video work English Magic (2012), on view now until August 2014 at the Hirshhorn Museum and Sculpture Garden, is an example of this dynamic. The film was selected for the British Pavilion at the 2013 Venice Biennale as the film served as a representation of British more »
*+- This post was written by Hirshhorn Museum and Sculpture Garden Library volunteer, Elena Grant. The Hirshhorn Museum and Sculpture Garden Library is working on getting the attention of area’s curators to Smithsonian Libraries’ resources on Latin-American art and connecting them with the Hirshhorn Museum team.
*+-Hello! My name is Julia Murphy and I am currently a contractor at the Hirshhorn Museum and Sculpture Garden. My primary task is to ingest the Hirshhorn’s collection photos onto the DAMS, Smithsonian’s Digital Asset Management System, which acts as an online image database for long-term storage and access. In between contracts I found myself with a two-week break in January so I reached out to Anna Brooke, head librarian at the Hirshhorn Library, and asked if she needed any assistance. Although my volunteer time was short I tried to help in any way. As a volunteer in the library I re-shelved books, repaired torn covers, and answered reference questions. A major part of my volunteer time was devoted to scanning slides for a curator who needed them for a presentation about a future exhibit. These slides included images not found online and were from her personal collection so they were valuable and needed to be digitized. Of the 70 the curator asked for, I was able to scan, edit, more »
*+-Most art history students have had to tackle an assignment that requires researching a contemporary artist. Quickly, it becomes clear that the research of contemporary artists involves a different research process than more seasoned artists. The resources that students would normally access first, such as catalogue raisonnés or retrospective exhibition catalogues, most likely do not exist yet. So, what sources are available to researchers of contemporary art and how does a contemporary more »
*+-This is a post written by Rita O’Hara who works at the Hirshhorn Museum and Sculpture Garden Library. In February, Richard Koshalek, the Hirshhorn Museum director donated to the library a copy of The World Bank exhibition catalog entitled Imagining Our Future Together: South Asia Artists. The exhibit featured the winners of a regional art competition organized by the World Bank’s South Asia vice presidency and the World Bank Art Program. This more »
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