This is the first post in a two-part series. Lawrence N. Huber devoted several pages of his journal lamenting the fact that the Navy vessel he was aboard had run out of Wheat Chex. This comes from a young man who was out in the middle of the Pacific Ocean, banding thousands of often rather uncooperative birds, making observations of any type of fauna he came across in the Pacific Islands, and swimming in more »
Last fall, I marked the season for the harvesting of grapes to honor John Adlum, the little-known “Father of American Viticulture.” The origins of the first commercially viable vine in the American wine industry can be traced to the District of Columbia. Now, with the great interest in Alan Turing, the recent auction sale of this English mathematician’s 56-page notebook for more than a million dollars, and the success of the movie, more »
The Smithsonian Libraries is pleased to announce the new webpage of the Smithsonian Libraries Artists’ Books Collection!
The Smithsonian Libraries has been contributing manuscripts from our collections to the Smithsonian Transcription Center for digital volunteers (or Volunpeers) to transcribe for over a year now. We’ve featured a variety of materials, from a vocabulary of the Potawatomi language, to shipboard diaries, to natural history field books and aeronautical scrapbooks. These works have all been quickly and enthusiastically transcribed, and now we’re offering up a much more challenging item, sure to more »
—This post was contributed by Rita Sausmikat and Maya Riser-Kositsky, interns at the American Art Museum/National Portrait Gallery (AA/PG) Library summer 2014. An “artist’s book” can generally be defined as a work of art in book form, though this guideline is interpreted and finessed to fit the artist’s vision. Commonly, artists’ books are portable and interactive, and utilize a plethora of methods, technologies, and materials. Just as with artwork, artists’ books often more »
The Cooper-Hewitt National Design Library owns many types of pattern books for architecture, textiles, wall coverings, and ornament for use by designers. Among our more unusual “how to” pattern books and trade catalogs are two recently digitized hair jewelry pattern books – The jewellers’ book of patterns in hair work and Charles T. Menge’s price list of ornamental hair jewelry and device work.
~This post was written by Katherine Williamson, an intern at the American Art/ Portrait Gallery library. As part of my work as an American Art/Portrait Gallery Library (AA/PG) intern, I answer reference questions from patrons that involve some type of research, either within our collection or using online sources that the library subscribes to. One of the most interesting reference questions I have received actually came from our Head Librarian, Doug Litts. Through his own research involving the original location of the AA/PG library – Room 331 of the main museum building – he came across a list of paintings, a marble bust and a cast iron sculpture, that were located in what was known as the NCFA/NPG Library when it was housed in the museum. Through circumstances unknown to us, those artworks were never transported to the Victor Building when the library moved here in 2000. He became very interested in the history of the artworks, as well as where they are now, and recruited me to help him more »
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