—This post was contributed by Rita Sausmikat and Maya Riser-Kositsky, interns at the American Art Museum/National Portrait Gallery (AA/PG) Library summer 2014. An “artist’s book” can generally be defined as a work of art in book form, though this guideline is interpreted and finessed to fit the artist’s vision. Commonly, artists’ books are portable and interactive, and utilize a plethora of methods, technologies, and materials. Just as with artwork, artists’ books often more »
The Cooper-Hewitt National Design Library owns many types of pattern books for architecture, textiles, wall coverings, and ornament for use by designers. Among our more unusual “how to” pattern books and trade catalogs are two recently digitized hair jewelry pattern books – The jewellers’ book of patterns in hair work and Charles T. Menge’s price list of ornamental hair jewelry and device work.
~This post was written by Katherine Williamson, an intern at the American Art/ Portrait Gallery library. As part of my work as an American Art/Portrait Gallery Library (AA/PG) intern, I answer reference questions from patrons that involve some type of research, either within our collection or using online sources that the library subscribes to. One of the most interesting reference questions I have received actually came from our Head Librarian, Doug Litts. Through his own research involving the original location of the AA/PG library – Room 331 of the main museum building – he came across a list of paintings, a marble bust and a cast iron sculpture, that were located in what was known as the NCFA/NPG Library when it was housed in the museum. Through circumstances unknown to us, those artworks were never transported to the Victor Building when the library moved here in 2000. He became very interested in the history of the artworks, as well as where they are now, and recruited me to help him more »
Re-housing is one of the least glamorous but most important responsibilities of the Smithsonian Libraries Conservation Department. Re-housing encompasses placing library materials into protective enclosures ranging from ready-made acid free envelopes to intricate custom made boxes. It is a way to treat a large number of materials fairly quickly providing them with a stable environment. For this set of Eugène Séguy prints form the Joseph F. Cullman III Library of Natural History more »
The following post was written by American Art Museum/National Portrait Gallery Library intern Becca Tanen. She is currently in her second year of a dual master’s program in Library Science and English at Catholic University. Two years ago, I was working at the library of a K-12 private school in Maryland when one of the librarians handed me the CREW (Continuous Review, Evaluation, and Weeding) manual for weeding modern libraries, developed by the more »