This is the second post in a two-part series. Catch up on the first part here. Allegra Tennis interned with the Field Book Project and Metadata Services over the summer to investigate Smithsonian research related to countries with populations of under a million. I came to the field of librarianship from a scientific background. The processes, details, and discoveries to be made have always held a magical quality for me. As I more »
This is the first post in a two-part series. Lawrence N. Huber devoted several pages of his journal lamenting the fact that the Navy vessel he was aboard had run out of Wheat Chex. This comes from a young man who was out in the middle of the Pacific Ocean, banding thousands of often rather uncooperative birds, making observations of any type of fauna he came across in the Pacific Islands, and swimming in more »
Last fall, I marked the season for the harvesting of grapes to honor John Adlum, the little-known “Father of American Viticulture.” The origins of the first commercially viable vine in the American wine industry can be traced to the District of Columbia. Now, with the great interest in Alan Turing, the recent auction sale of this English mathematician’s 56-page notebook for more than a million dollars, and the success of the movie, more »
The Smithsonian Libraries is pleased to announce the new webpage of the Smithsonian Libraries Artists’ Books Collection!
The Smithsonian Libraries has been contributing manuscripts from our collections to the Smithsonian Transcription Center for digital volunteers (or Volunpeers) to transcribe for over a year now. We’ve featured a variety of materials, from a vocabulary of the Potawatomi language, to shipboard diaries, to natural history field books and aeronautical scrapbooks. These works have all been quickly and enthusiastically transcribed, and now we’re offering up a much more challenging item, sure to more »
—This post was contributed by Rita Sausmikat and Maya Riser-Kositsky, interns at the American Art Museum/National Portrait Gallery (AA/PG) Library summer 2014. An “artist’s book” can generally be defined as a work of art in book form, though this guideline is interpreted and finessed to fit the artist’s vision. Commonly, artists’ books are portable and interactive, and utilize a plethora of methods, technologies, and materials. Just as with artwork, artists’ books often more »
The Cooper-Hewitt National Design Library owns many types of pattern books for architecture, textiles, wall coverings, and ornament for use by designers. Among our more unusual “how to” pattern books and trade catalogs are two recently digitized hair jewelry pattern books – The jewellers’ book of patterns in hair work and Charles T. Menge’s price list of ornamental hair jewelry and device work.
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