When wealthy real estate developer William Elmer Harmon founded the Harmon Foundation in 1922, it originally supported causes as varied as playgrounds, biblical films and nursing programs. But it is better known today as one of the first major supporters of African American creativity and ingenuity.
“If there is any facet of my work that I feel was kissed by angels, I’d say it was my books. My other work is definitely tied to a tradition, but I’ve never followed tradition in my books.” Ed Ruscha, in an interview with David Bourdon in Art News, April 1972. In this series on artists’ books at the AA/PG Library, we are starting off with Ed Ruscha, the American artist known primarily for his large canvas paintings that incorporate words or phrases.
The Libraries is uniquely positioned to help scholars understand the continuing vitality of this relationship, via exceptional research resources ranging from 15th-century manuscripts to electronic journals.
The Libraries is pleased to host Margaret “Betsy” Hagerty in an internship that will extend from January through the summer
It is not hard to find special collections librarians who believe that there are no duplicates, meaning that no two printed items made by hand are the same, even if from the same type, plate, or press.
Because of their size, miniature books present special challenges for shelving, preservation, and exhibition, but this fact only adds to their appeal as curiosities and collectibles.
A good way to make someone’s eyes glaze over at a party is to tell them that you write and edit the information that appears in online catalog records—but you should tell people this with a twinkle in your eye, because you know that as an archival or special collections cataloger, you get to work directly with the coolest of the cool materials. You’re often among the first at your archives or library to have the privilege of looking through the new acquisitions, and you’re also the one who examines the old treasures when it comes time to upgrade their catalog records.