Miniature Books in the Smithsonian Institution Libraries

Two shelves of miniature books from the Dibner Library Evangeline: A Tale of Acadie, by Henry Wadsworth Longfellow (Bijou edition) Witty, Humorous and Merry Thoughts, selected by T.M. [i.e. Thomas Mason]Originally published on the Smithsonian Collections Blog

Good books can be found in a variety of formats, including tiny bindings. The Libraries has over 50 miniature books scattered among its collections in the Dibner Library of the History of Science and Technology, the Smithsonian American Art & National Portrait Gallery Library, and the Bradley Room of the Cooper-Hewitt National Design Museum Library.

Measuring 3 inches or less, these unusual books are practical as well as whimsical. Although examples of miniature books have been found dating back to ancient times, the format became most popular in the 19th century, when advances in printing technology and illustration techniques facilitated the mass production of these books.

Easily tucked inside a wallet or pocket, these volumes are often plain and utilitarian, although many examples are elaborately decorated. Two excellent histories of this genre include Louis W. Bondy's Miniature Books: Their History From the Beginnings to the Present Day (1981), and Doris V. Welsh's The History of Miniature Books (1987).

The specimens in the Libraries' collections date chiefly from the 19th and 20th centuries, and include, for example, Bibles, almanacs, poetry, and children's books. Some of these little treasures have pop-ups or other feats of paper engineering.

Shown here (top) are two shelves of miniature books from the Dibner Library, including these two examples:

Evangeline: A Tale of Acadie, by Henry Wadsworth Longfellow (Bijou edition). London: Henry Frowde and sold by Edgar J. Vickery, Yarmouth, Nova Scotia, [not after 1916]. Call number: m PS2263 .A1 1916 SCDIRB (middle).

Witty, Humorous and Merry Thoughts, selected by T.M. [i.e. Thomas Mason]. Glasgow: David Bryce & Son, [1895?]. This volume is housed in a decorated metal locket-like case with a magnifying glass mounted on the front cover, apparently as issued. Call number: mPN6175 .W83 SCDIRB (bottom).

Because of their size, miniature books present special challenges for shelving, preservation, and exhibition, but this fact only adds to their appeal as curiosities and collectibles.

Diane Shaw, Special Collections Cataloger

What It’s Like to Be a Cataloger

Originally published on the Smithsonian Collections blog

Top: one of the cards created and annotated by Wheldon & Wesley staff members.

Bottom: The cabinets containing Wheldon & Wesley's inventory cards, accumulated between the 1950s and 2000, now housed in the Cullman Library. The index has 90 file drawers. Because they were such prolific and important writers on natural history, there is one drawer devoted entirely to Darwin, and one drawer devoted to Linnaeus. The card file is the gift of Natural History Museum curators Drs. Storrs Olson, James Mead, and Roy McDiarmid, and Dr. Alan P. Peterson, M.D.

As part of our Archives Month 2010 celebration, archivists and librarians here at the Smithsonian are blogging about the work they do. I was asked to describe what it's like to be a cataloger. I filled up pages of notes with thoughts about the past, present, and future of cataloging archival and library materials, and, more specifically, about my job as Special Collections Cataloger for the Smithsonian Institution Libraries. It was a great exercise, but I generated way more information than I could pack into one entry. Therefore, I've suggested to my fellow SIRIS bloggers that we ought to do a continuing series on the glories and travails of cataloging (do you agree? Let us know in the comments section below!)

I think being a cataloger is one of the best jobs ever, but, generally speaking, cataloging has traditionally enjoyed a mixed reputation, even among other librarians and archivists. Catalogers are sometimes stereotyped as rules-obsessed and not particularly social, hidden away at the back of the office, in contrast to the friendly, outgoing image associated with reference staff. A good way to make someone's eyes glaze over at a party is to tell them that you write and edit the information that appears in online catalog records—but you should tell people this with a twinkle in your eye, because you know that as an archival or special collections cataloger, you get to work directly with the coolest of the cool materials. You're often among the first at your archives or library to have the privilege of looking through the new acquisitions, and you're also the one who examines the old treasures when it comes time to upgrade their catalog records.

Being a cataloger is a very important job, because your concise, expertly-informed, and accurately-crafted record makes it possible for your institution's reference staff, researchers, and others to find the materials they are interested in that are tucked away out of sight in the closed stacks. While cataloging manuals like Describing Archives: A Content Standard and MARC 21 Concise Formats are full of details that are challenging to understand and remember, the work is all worth it when you can create well-organized and easily findable records in SIRIS for unique materials. Featured here is the Wheldon & Wesley Card Index, recently acquired by the Joseph F. Cullman 3rd Library of Natural History, containing the accumulated inventory and provenance notes of a British antiquarian book dealer who specialized in the sale of publications on natural history for over 150 years (and the Smithsonian was one of the company's best customers).

The job of cataloger has changed a lot over time in the data-driven environment of archives and libraries. Long ago, a cataloger made handwritten entries in a log book or on paper cards (somewhat like the annotated card from book dealer Wheldon & Wesley, shown above). Then typed or printed cards became standard. Now, our archival and library records are nearly all digital. Today at the Smithsonian, archival and library catalogers work closely with the information technology staff of their own units and the Office of the Chief Information Officer's SIRIS Team to come up with ways to improve the discovery and display of collections data from across the Institution.

This is an exciting time and an exciting place to be a cataloger, because there are so many ways that our records can be shared and enhanced. Increasingly, you'll find links to images or websites in our SIRIS records. We are looking into providing geographic data reference points with our catalog records. And in the coming year, we will be exploring ways to integrate mobile applications with the Smithsonian's Collections Search Center. We are also working on increasing the number of finding aids available in Encoded Archival Description (EAD) and other standard data formats to enable the Smithsonian to share and re-purpose its data with other research institutions around the world. What else lies ahead? Perhaps adding a crowd-sourcing component to allow catalog users everywhere to add their own keywords and notes to our records, while still preserving the integrity of the original data. These changes and improvements might seem like a tall order for now, but we will find a way to work things out, with so many bright minds working together here and in the greater archival and library community beyond the Smithsonian.

(The illustrations show one of the cards created and annotated by Wheldon & Wesley staff members; the cover of the printed sales catalog for Wheldon & Wesley's 160th anniversary; and the cabinets containing Wheldon & Wesley's inventory cards, accumulated between the 1950s and 2000, now housed in the Cullman Library).

Diane Shaw, Special Collections Cataloger

 

Special Collections-Preservation Intern Carrie A. Gross

Carrie1 The Special Collections-Preservation paid internship program for the summer of 2010 has selected Carrie A. Gross of Riva, Maryland.

Carrie, presently enrolled as a MLIS student at Catholic University is expecting to graduate in December of 2010. Her long-standing interest in literature and books, as demonstrated by her undergraduate studies at the College of William and Mary, has lead to her goal of rare book and manuscript librarianship. Carrie2

Carrie has pursued both work and educational opportunities that support her desire for a rare books career. Most recent is her participation in various projects with the Maryland State Archives, including practical work in their conservation lab.

The opportunity to work with the Dibner Library's collection of manuscripts and rare books is what drew Carrie to apply for the internship. Her duties so far have included unboxing and organizing Dibner transfer materials from other Libraries collections. Included are 19th century scientific journals that, once sorted, will be shelved with the existing journal collections. Carrie also spends one day a week in the Book Conservation Lab where she is creating book and manuscript supports for exhibitions, and various types of enclosures for the wide range of materials within Libraries collections.

While Carrie wishes to pursue a career in rare books and preservation, she is an advocate for access through digitization. She states, "I believe in the importance to have information and content available to researchers through digitization. In turn, this protects the bibliographic integrity of the physical object as it's handled less frequently."

In addition to her internship at the Libraries, Carrie works as an amateur costume designer with Spirited Productions in Annapolis. She is engaged to be married in May 2011. Her fiancé, Alex, is working toward an academic career in the Humanities.

—Vanessa Haight-Smith

2011 Resident Scholar Applications

Johannes Hevelius, Machinae Coelestis Pars Prior [and Posterior] [Celestial machines, or astronomical instruments], 1673-79, Four male figures (including Tycho Brahe, Copernicus, and possibly Ptolemy and Aristotle) contemplate a celestial globe; allegorical figures surround them

Johannes Hevelius, Machinae Coelestis Pars Prior [and Posterior] [Celestial machines, or astronomical instruments], 1673-79, Four male figures (including Tycho Brahe, Copernicus, and possibly Ptolemy and Aristotle) contemplate a celestial globe; allegorical figures surround them

The Libraries will award grants to Dibner Library Resident Scholars and Baird Society Resident Scholars in the 2011 academic year. These competitive short-term grants are offered for one to six months to historians, librarians and bibliographers, as well as predoctoral and postdoctoral students, with an approved research project. The scholars will complete their residencies at one or more of the Libraries’ twenty branches for various lengths of time throughout the year.

Dibner Library Resident Scholars will do research in the Dibner Library of the History of Science and Technology in the National Museum of American History. The Dibner Library specializes in the physical sciences and technology, and holds more than 25,000 rare books and 10,000 manuscripts covering a wide variety of subject areas and time periods, particularly in mathematics, astronomy, classical and Renaissance natural philosophy, theoretical physics, experimental physics, engineering and scientific apparatus and instruments. The collections range from early printed works of ancient Greek and medieval scholars through the Renaissance and Early Modern eras up through the 19th century. There are significant works by Aristotle, Euclid, Ptolemy, Galileo, Descartes, Newton and many others. This award is supported by The Dibner Fund.

Baird Society Resident Scholars will do research in other Libraries’ special collections located in Washington, D.C., and New York City. Included are 19th- and early 20th-century World’s Fairs printed materials; manufacturers’ commercial trade catalogs, numbering more than 300,000 pieces and representing 30,000 companies from the 1840s to the present; natural-history rare books; the air-and-space history special collection for the study of ballooning, rocketry and aviation from the late-18th to the early-20th centuries; James Smithson’s library; and the European and American decorative arts, architecture and design special collection, which spans the 18th to the 20th centuries. This award is supported by the Smithsonian Libraries Spencer Baird Society.

The deadline for applications to the 2011 resident scholar programs is April 1st. Visit our website for application materials and further information or e-mail SILResidentScholars@si.edu.—Liz O'Brien

We are #1!

The blog, OnlineCourses.org ranked the Libraries' online special collections #1!

They like us, they really like us . . .

The Libraries does house many special collections, which we try to highlight on this blog. Rare and unique items are not only held and preserved by the Libraries, but may be viewed by the public by appointment. 

Treasures at your fingertips . . . —Elizabeth Periale

Robert Dale Owen, Hints on public architecture . . . , 1849, Smithsonian Institution, from the North East, Smithsonian Castle Building.