Press "Enter" to skip to content

Category: Natural and Physical Sciences

When New England was New

This post was first featured on the Biodiversity Heritage Library blog.

 

Map of eastern North America. Detail of engraved map by Nicolaes Jansz Visscher, made about 1655, not long after Josselyn’s first journey to the New World. Note the prominent, plump turkey. Courtesy of Graphic Arts Collection, National Museum of American History, Smithsonian Institution. Gift of Mrs. Francis P. Garvan.

 

It is a small book, palm-size, with pages of less-than-fine paper, the well-worn letters of the type sometimes carelessly inked. The sparse woodcut illustrations are child-like in their simplicity and straight-forwardness. Yet John Josselyn’s New-Englands rarities discovered, printed in London in 1672, drew me in as I went about cataloging the work. Intrigued by the title and the early date of publication, I found myself reading an account of the landscape of my past, from Boston, “down east” (that is, up the coast as represented in the illustration above) to my place of birth, and points all around. That great bibliography, The Hunt Botanical Catalogue, notes that this book is “particularly interesting to people who are fond of Maine.” Indeed. The text provides a sense of place from the 17th century.

Adopt “Travels into North America”

Pehr Kalm (1716-1779), a Swedish-Finnish explorer and botanist, was a student of the great naturalist Carl Linnaeus. In fact, Kalm was one of the many “apostles” of Linnaeus sent out to explore the world, and one of the few who didn’t die in the process. To begin the research that later culminated in Travels into North America, Kalm arrived on the continent in 1748.  Based in Philadelphia, he worked and traveled with Benjamin Franklin and John Bartram, among others. In his explorations of Pennsylvania and New Jersey and two journeys north through New York to Montreal and Quebec, Kalm formed impressive specimen collections, which Linnaeus subsequently used in naming 90 species of plants, 60 of them new to science, in his Species plantarum (1753). Among those new species, Linnaeus named the mountain laurel genus Kalmia for his disciple.

Unearthing History: Mary Anning’s Hunt for Prehistoric Ocean Giants

This post was written by L.K. Ward and was originally published on the Oceans Portal blog on March 21st, 2016.

You may not have realized it, but you’ve been acquainted with Mary Anning since you were young.

“She sells sea shells by the sea shore.”

Remember this grade school tongue-twister? What you probably didn’t know is that this nursery rhyme is based on a real person who not only sold seaside curiosities by the seashore, but became world renowned for her fossil discoveries.

Greek Wild Flowers: Dialogues and Diplomats on the Parthenon and the Athenian Acropolis in the nineteenth century

This post was written by Dr. Alexander Nagel, Research Associate with the National Museum of Natural History’s Department of Anthropology.

Parthenon
The Parthenon on the Athenian Acropolis in 2012, Photo: Alexander Nagel.

 

In the fall semester of 2015, I was teaching a course on *Classical Heritage in Washington: Encounters in the Museum* for students from the University of Maryland. Every Friday afternoon around 2pm, students would meet with colleagues and curators, archivists and archaeologists, diplomats and thinkers who work on aspects of heritage preservation and connecting ancient Mediterranean, Near Eastern, and European traditions with those of Washington, DC. The students learned how to tailor and manage research projects, and they developed their own exhibition projects over the semester.

Fashion in the Natural World: Fusing Science with Art

This post first appeared on the Biodiversity Heritage Library blog in February 2016.

Emile-Allain Séguy was a popular French designer throughout the Art Deco and Art Nouveau movements of the 1920s. Often confused with the French entomologist Eugene Séguy who was active during the same time period, E.A. Séguy designed primarily patterns and textiles and was heavily influenced by the natural world. He was particularly fond of the intricate patterns and beauty of insects (Eugene would have approved), which he saw as “mechanic wonders” that provided abundant inspiration for interior design (Schiff, 157).