There may be a bit of truth to observations that we’re less patient now than we used to be. Look at this article found in the 41st volume of Merchants Record and Show Window.
This month we show the capitals which belong to the three lower case alphabets shown last month.
Did you know our Digital Library now hosts the Cultural Heritage Library (CHL)? Some things remain the same. You can browse the collection’s subject headings or list of authors to discover the collection, or if you are looking for a particular art, history, or culture book published before 1923, use the search box.
The Cultural Heritage Library (CHL) has been through a few incarnations over the last 3 years but the content remains the same. It is a digital collection that includes materials from the History, Art, and Culture libraries within the Smithsonian. The collection has been developed using branch librarian’s selections as well as items that have been identified as being relatively scarce according to OCLC holdings. Subject headings are part of the descriptive metadata for each title and are available to browse from the Internet Archive website, providing an at-a-glance overview of the collection.
Typography, the aesthetics of language, gets a lot of attention these days. What was once the purview of specialized professionals is now as common as the PC. The digital revolution’s democratizing impact on publishing has also been a boon for the typographer–or at least the typographer’s eye–in the digital sphere. Even if you aren’t labeling your digital choices as “typography,” chances are you are posing questions that typographers ask. How can font help convey meaning? Why is one font preferable to another? Or even, should this be bold and in red?