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Category: Intern and Volunteer Updates

Hard-edged, Bright Color: Pure Color

Morris Louis ephemera from "Hard-edged, Bright Color"
Morris Louis ephemera from “Hard-edged, Bright Color”

In conjunction with the exhibition “Hard-edged, Bright Color: The Washington Color School” at the American Art and Portrait Gallery (AA/PG) Library, the blog will be exploring the group of color artists to accompany the exhibit running until late spring. We’ll be exploring three of the “first generation” Washington Color School artists: Morris Louis, Kenneth Noland, and Gene Davis. You can read the first post in this series here.

The 1950s and 1960s saw the emergence of a new ‘School’ in the American capital, the Washington Color School. Experimenting with fields of bright colors achieved by applying thinned paint onto large canvases, these artists sought to enrapture a viewer without the use of narrative or symbolism.

Hard-edged, Bright Color: The Washington Color School.

Hard-Edged, Bright Color
“The idea of bands of color, hard-edged, bright color. It was like a breath of fresh air in the early ’60s, because all this messy sh*t, you know, that was going on in New York — we provided an alternative.” Gene Davis oral history transcript, Archives of American Art.

With the Smithsonian American Art Museum’s upcoming exhibition, Gene Davis: Hot Beat, the American Art and Portrait Gallery (AA/PG) Library is hosting a complementary exhibition of ephemera showcasing a group known as the Washington Color Painters, or perhaps better recognized by their more dubious title, the Washington Color School.

A spoonful of sugar makes the medicine go down

This is the second post in a two-part series. Catch up on the first part hereAllegra Tennis interned with the Field Book Project and Metadata Services over the summer to investigate Smithsonian research related to countries with populations of under a million.

I came to the field of librarianship from a scientific background.  The processes, details, and discoveries to be made have always held a magical quality for me.  As I grew up and talked with others, I began to notice that not everyone views science in this way.  Many people seem to be interested in science, whether in the idea of it, the usefulness of it, or they raw beauty of it.  Yet too often people are intimidated by science, either by the research or by the researchers themselves.

Mughal art for the masses

Mughal art
Detail of Shah Jahan enthroned with Mahabat Khan and a Shaykh, from the late Shah Jahan Album S1986.406. Courtesy of Arthur M. Sackler Gallery.

This post was written by Keala Richard, intern in the Freer|Sackler Library during the summer of 2016. Keala is currently working towards a Masters in Library and Information Science at the University of Hawaii, Manoa.

When I was a teenager, I spent countless afternoons gossiping and scheming with my best friend under the watchful eye of Mughal royalty. Her family’s collection of miniatures, stripped of their gilt borders and in many cases missing in-painting, still struck me as the most beautiful pieces in her parents’ massive collection of Indian art. Whenever I would sneak down the hall for midnight slumber party refrigerator raids, I would always stop and admire the princes and princesses painted in profile. When I first learned that I was awarded the Smithsonian Minority Awards Program Internship, I marveled at the serendipity of being selected for the Freer|Sackler Library’s Mughal Wikipedia Project. I would get to learn more about the gilded nobility on my best friend’s wall.

Hidden History: Art Deco in the Trade Literature Collection

This post was written by Katie Martin, Summer 2016 Art Deco Trade Literature Research intern at the National Museum of American History Library.

For six weeks in June and July, my task was to research and identify materials from the trade literature and world’s fair collections housed at the National Museum of American History Library that showcase the Art Deco period in Chicago.