In the series called “The ABCs of the Corcoran Artist Files” the American Art and Portrait Gallery (AA/PG) Library will explore artists through the materials from the recent Corcoran Vertical File Collection donation by featuring artists whose surnames begin with that letter. This time we are looking at the artists whose last names that start with E.
All incoming students in The New School Parsons History of Design and Curatorial Studies (MA) Masters’ Degree Program at the Cooper Hewitt, Smithsonian Design Museum take an object and research based class called Pro-Seminar.
While at the Smithsonian Libraries Research Annex (SLRA) during the second week of my Smithsonian Libraries internship, I was asked to select and research texts in SLRA’s collection for the Adopt-a-Book Program. Adopt-a-Book is an opportunity for bibliophiles to “adopt” a book from one of the Smithsonian Libraries’ twenty-one branches, granting them acknowledgement through a virtual bookplate in the SIL online catalog, SIRIS. Potential donors can view the books up for adoption on the Libraries website, along with a brief history and description of each. In addition to generating revenue, Adopt-a-Book is a great way to tell and preserve the stories of physical texts; as I quickly discovered, each book has a unique, often untapped past.
As the old Sam Cooke song goes: Don’t know much trigonometry Don’t know much about algebra, Don’t know what a slide rule is for But I do know that one more »
One of the most basic things in a library is the book shelving. Let’s go back to the late 19th Century for a look at shelving from that time period. This trade catalog from 1895 has a few examples.
“George Sarton, a founder of the history of science as an academic discipline, argued that scholars should pay close attention to portraits. These images, he said, can give you ‘the whole man at once.’ With a ‘great portrait,’ Sarton believed, ‘you are given immediately some fundamental knowledge of him, which even the longest descriptions and discussions would fail to evoke.’ Sarton’s ideas led Bern Dibner to purchase portrait prints of men and women of science and technology. Many of these are now in the Smithsonian’s Dibner Library of the History of Science and Technology.”
– Deborah Jean Warner, Curator, Physical Sciences Collection
Cultivating America’s Gardens, our newest exhibition produced with Smithsonian Gardens is now open in the National Museum of American History and features many colorful seed catalogs from our collection. This post, highlighting seedsman John Lewis Childs, was written by social media intern Trudi J. Antoine.
While some children played games and chased the pavement, John Lewis Childs pursued a dream of playing in the dirt. Starting from the ground up, horticulturist and businessman, John Lewis Childs made his way as a young lad to East Hinsdale, a town bordering Queens, New York, with only a glimmer of where his path would take him. He was only seventeen.
