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Month: August 2017

Support the Warren M. Robbins Library at the National Museum of African Art

Librarian Janet Stanley with a researcher in the Warren M. Robbins Library at the National Museum of African Art.

Every day, librarian Janet Stanley and the staff of the Warren M. Robbins Library at the National Museum of African Art work tirelessly in support of the Smithsonian’s guiding purpose: to foster the increase and diffusion of knowledge. This African Art Library plays an essential role in connecting colleagues, researchers, and artists around the world to engage in promoting the critical work that ensures a future of knowledge and discovery of African art.

Make your gift by September 15th and it will be matched by a special anonymous donor, doubling your impact.

The ABC’s of the Corcoran Artist Files: the F’s

Photo of Harriet FeBland wall relief "Quartet" at "Women in Art" exhibition, Brainerd Art Gallery Museum, State University of New York, 1972
Photo of Harriet FeBland wall relief “Quartet” at “Women in Art” exhibition, Brainerd Art Gallery Museum, State University of New York, 1972

In the series called “The ABCs of the Corcoran Artist Files” the American Art and Portrait Gallery (AA/PG) Library will explore artists through the materials from the recent Corcoran Vertical File Collection donation by featuring artists whose surnames begin with that letter. This time we are looking at the artists whose last names that start with F.

Willie Vocalite and The Electrical Circus

This post was written by Tracee Haupt, an intern at the National Museum of American History Library. Tracee is a graduate student in the University of Maryland’s dual-degree master’s program for History and Library Science.

At six and a half feet tall and three hundred and fifty pounds, Willie Vocalite was an imposing figure. “The Man Who Isn’t a Man,” as a 1934 booklet uncovered in our Trade Literature Collection described him, was barrel-chested with gleaming red eyes and a friendly expression. He was often pictured with a cigarette hanging jauntily from his lips, and later in his career he adopted a fashionable mustache that gave him the cavalier look of a 1930s movie star. Willie was a star of sorts–beginning in 1931, his act toured America from coast to coast drawing hundreds of thousands of spectators eager to see the “world famous robot” who could move, talk, and respond to voice commands.

Beer on Board in the Age of Sail

Fierce ship of war in Lazari Bayfii Annotationes in legem II De captiuis & postliminio reuersis (1537; link)

Brewing and seafaring are mainstays of ancient human endeavors. Beer was first fermented by at least the 5th millennium BC in Mesopotamia. From the land between the Tigris and Euphrates Rivers of the Fertile Crescent, the grain beverage either traveled along trade routes or was spontaneously developed in other ancient civilizations (including Egyptian, Grecian, Roman, Norse, Aztec, Chinese) before landing in northern Europe in the early medieval period. Producing beer became a standard domestic chore in households, and later, on a slightly larger scale, in taverns and monasteries.