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Author: Vanessa Haight Smith

The Fix: Treating Historic Sheet Music

Earlier this year, two music manuscripts arrived in the book conservation lab from the Dibner Library for the History of Science and Technology. These two small items, James Bishop’s musical Gamut of 1766, and Uri Bishop’s Military Music from the War of 1812, were part of a donation earlier in the year by James L. Cerruti and his sister Vera V. Magruder. The generous gift was featured in a Smithsonian Libraries blog post by Liz O’Brien, “Donations Reveal a Family History”.

 

The Fix – Preparing an Exhibition Takes a Village

The Preservation Department of the Smithsonian Libraries (SIL) has been preparing materials for the past year for the upcoming exhibition in the SIL Gallery, National Museum of American History, Cultivating America’s Gardens.  Drawn mainly from the collections of the Smithsonian Libraries and Smithsonian’s Archives of American Gardens, it is a cooperative curatorial effort of both units.

The Fix: Crafting brilliant book cradles

Book supports or, more aptly named, cradles are used to display bound library materials in exhibitions. The Smithsonian Libraries plans and installs two exhibitions each year that include as many as a hundred volumes on display at a given time. Since books come in various sizes shapes and materials, a proper support is necessary to assure that the book rests comfortably while on exhibit yet have the cradle remain somewhat invisible.

The Fix: Saving The Marine Atlas

When Smithsonian Libraries’ material is placed on exhibition, all selected objects are reviewed for display. In some cases, conservation treatment is required in order to make it possible for a book to be opened and pages turned without damaging the structure. Other factors such as conditions for temperature, relative humidity, and light levels in the exhibition gallery are reviewed before allowing items to be exhibited for any length of time. The Dibner Library’s large and important volume of John William Norie’s Marine atlas is the centerpiece of an upcoming exhibition at the National Museum of American History – and was subject to the required conservation review.