This post was written by Carolina Murcia, Biodiversity Heritage Library Product Development and Marketing Intern. I am a designer. I am an artist. I am an illustrator. I more »
On the eastern coast of Florida, about 120 miles north of Miami, there is a very special research center: the Smithsonian Marine Station at Fort Pierce. It serves as a field station specializing in marine biodiversity and Florida ecosystems, especially that of the Indian River Lagoon – one of the most biologically-diverse estuaries in North America. The center is a destination for scientists around the world who are interested in studying the extraordinary biodiversity in the area as well as ocean and coastal processes at large.
This post was written by intern Becca Greenstein. Becca is currently pursuing her Master’s in Library Science at University of North Carolina-Chapel Hill. She has always had a passion for more »
As you head to the seashore or lakeside this summer, take a moment to consider the contributions of Ippolito Salviani to natural history. Salviani’s book on aquatic animals, Aquatilium animalium historiae (The history more »
The Biodiversity Heritage Library (BHL) and Smithsonian Libraries staff participated in BioBlitz 2016 in Washington, D.C. on 20-21 May. A BioBlitz focuses on finding and identifying as many species as possible in a specific area over a short period of time. In this special edition of the BioBlitz, held in conjunction with the National Park Service’s centenary, the D.C. BioBlitz was accompanied by a two-day Biodiversity Festival on the National Mall at Constitution Gardens. The event was co-hosted by the National Park Service and National Geographic.
2016 marks the 10th anniversary of the Biodiversity Heritage Library (BHL, www.biodiversitylibrary.org)! Since 2006, the Biodiversity Heritage Library has transformed the way scientists, researchers, and librarians around the world more »
This post first appeared on the Biodiversity Heritage Library blog in February 2016.
Emile-Allain Séguy was a popular French designer throughout the Art Deco and Art Nouveau movements of the 1920s. Often confused with the French entomologist Eugene Séguy who was active during the same time period, E.A. Séguy designed primarily patterns and textiles and was heavily influenced by the natural world. He was particularly fond of the intricate patterns and beauty of insects (Eugene would have approved), which he saw as “mechanic wonders” that provided abundant inspiration for interior design (Schiff, 157).