I’ve been a fan of Newcomb pottery since I first saw an example on the Antiques Roadshow more than a decade ago. Currently I have the opportunity to see Newcomb pottery every day — three pieces are featured in an art pottery and glass exhibit at the National Museum of American History, the building where I work. Simple forms, lovely colors and nature motifs make Newcomb pottery very appealing and highly collectible. But there’s also a compelling story behind the pottery. For March, which is both Women’s History Month and National Craft Month, I want to share information about Newcomb College in New Orleans where the pottery was made. This college offered education and employment for women artists at a time when such opportunities were scarce, especially in the South.
Around March, I’ll be forgiven if I start to pay a little more attention to the genders of the people I come across in our digital book and journal collection. After all, it is Women’s History Month. But one journal I keep coming back to is Keramic Studio, a monthly ceramics magazine produced around the turn of the 20th century that we digitized a couple years ago as part of our Books Online collection. Adelaide Alsop-Robineau began the journal in 1899, and it continued to be published into the 1920s. The work featured in the early years of the journal was primarily contributed by women, including Alsop-Robineau herself, along with her co-editor Anna B. Leonard. Both women were well known ceramics painters and designers. I find myself returning to the journal and perusing the many images and illustrations, especially when I need a dose of design inspiration.