Press "Enter" to skip to content

Tag: HMSG

Ian Cheng: Live Simulation

Ian Cheng
Photograph of Ian Cheng from Natt & Dag.

This post was written by Tim Cannon, intern in the Hirshhorn Museum and Sculpture Garden Library.

Suspended Animation, which opened on February 10 at the Hirshhorn Museum and Sculpture Garden, features work by six contemporary artists working with digitally generated images. Among these artists is Ian Cheng, a New York-based artist who worked for George Lucas’ visual effects company, Industrial Light and Magic, before earning an MFA at Columbia University. His work is typically based on computer simulations, often lacking a fixed duration or narrative, so that the action unfolds more or less spontaneously, according to an algorithm rather than a plan. Cheng’s live simulation (his term for the programs he makes) Emissary in the Squat of the Gods, will appear in the exhibition.

A visit to the Hirshhorn

The author (right) with her former colleagues.
The author (right) with her former colleagues.

This post was written by Salima Appiah-Duffell, library technician at the Smithsonian American Art Museum/National Portrait Gallery Library and Hirshhorn Museum and Sculpture Gallery Library. Salima recently joined our staff in July. Welcome, Salima!

When I started library school at Catholic University, working at the Smithsonian (Institution) seemed like a beautiful, but impossible dream. Now, with my Master’s in hand, I’ve started my second career exactly where I hoped.  I’ve been a Library Technician for the Hirshhorn Museum and Sculpture Garden and Smithsonian American Art Museum/National Portrait Gallery Libraries for a month now, and I still can’t believe my luck.

An Artist’s Book in a Trade Book’s Clothing

RichterThis post was written by Jaclyn Peterson. Jaclyn interned at the Hirshhorn Museum and Sculpture Garden Library this past spring, working to identify Artists’ Books in the collection and making them more accessible in the library catalog.

Before I began working on a cataloging project with the Hirshhorn Museum and Sculpture Garden Library (HMSG) , I naively thought I was able to spot an artist’s book out of a regular collection a mile away. In my mind, they were supposed to be visually stunning items, handcrafted with mixed media, and having book-like or “book-ish” qualities. All of the artists’ books I had seen in my limited experience were flashy and intricately designed objects created in limited editions, and they seemed to be more art than book. Going through HMSG’s collection and making decisions about which books to tag in the catalog as being ‘Artists’ Books Specimens,’ I discovered a side of artists’ books I had not encountered before: the artist’s book in a trade book’s clothing, or in other words, an artist’s book that looks like a regular book.