The Joseph F. Cullman 3rd Library of Natural History’s 1602 edition of Ulisse Aldrovandi’s De animalibus insectis has always been a favorite of mine, and the rest of our special collections staff. Aside from being the first European work dedicated solely to the natural history of insects and featuring numerous incredible woodcut illustrations, it also retains its beautiful contemporary binding. But this binding is just as dangerous as it is lovely: the more »
The Smithsonian Libraries is pleased to announce the donation of research ephemera for more than 4,000 artists from the Art Students League of New York (ASL), to be housed at the American Art Museum and Portrait Gallery (AA/PG) Library.
In the early eighteenth century, English naturalist Mark Catesby set foot in a New World. After spending the better part of ten years, spread across two separate trips, exploring and documenting North America’s rich biodiversity, he would eventually publish his research and original artworks as the first fully illustrated book on the flora and fauna of North America. Published over eighteen years between 1729-1747, The Natural History of Carolina, Florida, and more »
The month of October brings lots of some spooky good times for Smithsonian Libraries. Pumpkin carving patterns, the science of Frankenstein, a behind-the-scenes tour of rare anatomy books, and more!
The Smithsonian Libraries is pleased to announce the donation of research ephemera for more than 8,000 artists from the Corcoran Gallery of Art (CGA) in Washington, D.C., to be housed at the Smithsonian American Art Museum and National Portrait Gallery (AA/PG) Library. The Smithsonian AA/PG Library recently acquired the Artist Vertical File collection from the Trustees of the Corcoran, which encompasses a large collection of published ephemera related to artists, with particular more »
When wealthy real estate developer William Elmer Harmon founded the Harmon Foundation in 1922, it originally supported causes as varied as playgrounds, biblical films and nursing programs. But it is better known today as one of the first major supporters of African American creativity and ingenuity.
“If there is any facet of my work that I feel was kissed by angels, I’d say it was my books. My other work is definitely tied to a tradition, but I’ve never followed tradition in my books.” Ed Ruscha, in an interview with David Bourdon in Art News, April 1972. In this series on artists’ books at the AA/PG Library, we are starting off with Ed Ruscha, the American artist known primarily for his large canvas paintings that incorporate words or phrases.
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