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Author: Katie Wagner

The Fix – Outfitting a Satellite Conservation Lab

We recently carved out some space in the Natural History Building for a Conservation and Digitization Annex. The Annex allows us to do low to medium level repair on site where many of our Library books are housed. Preservation staff share the space with our digitization team. The goal was to reduce the amount of shipping between our main conservation lab  (located offsite in Maryland) and the majority of our materials located on the National Mall.  Our main concerns were books that are very large and fragile that we are reluctant to put through the stress of packing and shipping and volumes  that require simple repairs in order for them to be scanned.

Conservation & Digitization Annex
Conservation & Digitization Annex

Conservation of World’s Fair Pop-Up Books

 

World's Columbian Exposition Pop-Up Book
World’s Columbian Exposition Pop-Up Book Closed

 

A set of four pop up books from the World’s Columbian Exposition of 1893 were recently treated in the book conservation lab.  The books are part of the Cooper-Hewitt National Design Museum Library World’s Fair materials. The World’s Columbian Exposition took place in Chicago in 1893 and these four books reveal four different views of the exposition.  The four books were in good condition for pop-up books.  The chromolithographic prints are still vibrant and the paper supports, while brittle, are still in good condition.

The Fix – The Do’s and Don’ts in Caring for Paper Based Collections

We field a lot of questions in the Book Conservation Lab about caring for personal collections.  In the spirit of Preservation Week here are some answers to some of our Frequently Asked Questions.  If you have additional questions we have a live “Ask Our Book Conservator Anything” April 30th from 12-2 PM!

The Fix – Post Binding

Last year a book came into the Book Conservation Lab as part of the Smithsonian Libraries Adopt-a-Book program. The book, Systema Entomological by Heinrich Buchecker, was in two distinct pieces – text and plates.  The color lithographic plates, depicting dragonflies, were printed on paper that is a higher quality than the text. Unfortunately, the text is printed on highly acidic paper that has become brittle with age. Usually the decision to post bind is a difficult one.  Book conservators strive to retain as much of the original binding as possible in their work.  A post binding is a last resort solution for books with extremely brittle paper – allowing them to remain in use to the researcher.  As this set came to us unbound, the decision was easier to make.