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Category: Art and Design

Hard-edged, Bright Color: Generations of Color

Thomas Downing's examples of grids and dots
Thomas Downing’s examples of solid dots within rigid grids

In conjunction with the exhibition “Hard-edged, Bright Color: The Washington Color School” at the American Art and Portrait Gallery (AA/PG) Library, the blog will be exploring the group of color artists to accompany the exhibit running until late spring. We’ll be exploring three of the “first generation” Washington Color School artists: Thomas Downing, Howard Mehring, and Paul Reed.

Celebrating Our Man of Many Hats: William Henry Holmes

December 1st is the 170th birthday of William Henry Holmes, the Smithsonian’s own Renaissance man. Early in the Smithsonian’s history, Holmes served as the head of the Anthropology Department and later the first director of what would become the Smithsonian American Art Museum. Starting today, we’re celebrating his legacy.

Hard-edged, Bright Color: Pure Color

Morris Louis ephemera from "Hard-edged, Bright Color"
Morris Louis ephemera from “Hard-edged, Bright Color”

In conjunction with the exhibition “Hard-edged, Bright Color: The Washington Color School” at the American Art and Portrait Gallery (AA/PG) Library, the blog will be exploring the group of color artists to accompany the exhibit running until late spring. We’ll be exploring three of the “first generation” Washington Color School artists: Morris Louis, Kenneth Noland, and Gene Davis. You can read the first post in this series here.

The 1950s and 1960s saw the emergence of a new ‘School’ in the American capital, the Washington Color School. Experimenting with fields of bright colors achieved by applying thinned paint onto large canvases, these artists sought to enrapture a viewer without the use of narrative or symbolism.

Hard-edged, Bright Color: The Washington Color School.

Hard-Edged, Bright Color
“The idea of bands of color, hard-edged, bright color. It was like a breath of fresh air in the early ’60s, because all this messy sh*t, you know, that was going on in New York — we provided an alternative.” Gene Davis oral history transcript, Archives of American Art.

With the Smithsonian American Art Museum’s upcoming exhibition, Gene Davis: Hot Beat, the American Art and Portrait Gallery (AA/PG) Library is hosting a complementary exhibition of ephemera showcasing a group known as the Washington Color Painters, or perhaps better recognized by their more dubious title, the Washington Color School.