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Category: Art and Design

Federal Art Project material in the Vertical Files

Index of American Design
Index of American Design

This post was written by Kate Wilson, a 2012 spring intern at the Smithsonian American Art Museum/National Portrait Gallery Library (AAPG Library).

I have background and work experience in both library and archival science – I’ve worked equally in both types of institutions and enjoy the hands-on, primary resources I find in archival work but the interaction, service, and reference I get from working in libraries. The AAPG Library’s Art & Artist File combine my love of primary documentation and reference work, and it is in this unique collection that I found a trove of original promotional materials for the short-lived Federal Art Project, the fine arts arm of the Works Project Administration.

Patio Furniture Time! Woodard Furniture

Woodard Furniture catalog 1934
Woodard Furniture catalog 1934

 

Over the past several years I’ve noticed a growing interest in wrought iron furniture- for both indoor and outdoor use, with people requesting information and images of furniture going back to the 30’s, 40’s, 50’s and 60’s. Is there is a retro revival going on? Are people restoring their old patio furniture or finding missing or replacement pieces at auctions and yard sales?

Can I douse you in salad dressing? Ed Ruscha’s Artists’ Books

Artists’ Books by Ed Ruscha, at the AA/PG Library

“If there is any facet of my work that I feel was kissed by angels, I’d say it was my books. My other work is definitely tied to a tradition, but I’ve never followed tradition in my books.” Ed Ruscha, in an interview with David Bourdon in Art News, April 1972.

In this series on artists’ books at the AA/PG Library, we are starting off with Ed Ruscha, the American artist known primarily for his large canvas paintings that incorporate words or phrases.

Welcome CHNDM Library Summer Intern, Eleanor Peters

Eleanor Peters at The National Design Library
Eleanor Peters at The National Design Library

My name is Eleanor Peters and I’m the 2012 Peter A. Krueger Summer Intern at the Cooper-Hewitt National Design Library. I recently graduated from Middlebury College where I studied Art History and Anthropology. Growing up in New York City, I was a frequent patron of the New York Public Libraries. On any given weekend I could be found maxing out my library card with books about everything from Egyptian hieroglyphs to the ecosystem of the Great Barrier Reef. Since then I have always had a love of books and a great appreciation for libraries and book preservation. From my own experiences, whether reading for leisure or doing research for my senior thesis this past spring, libraries have been invaluable resources and centers of boundless learning. Therefore I am excited to spend 10 weeks working with my supervisor, Reference Librarian Elizabeth Broman, to learn what happens behind the scenes at the National Design Library.

Ai Weiwei at the Hirshhorn

patron reading book
A Hirshhorn patron perusing our Zodiac Head’s catalog

Ai Weiwei’s Circle of Animals / Zodiac Heads has been a popular attraction at the Hirshhorn since its arrival in April. Surrounding the fountain in the center of the Hirshhorn, the zodiac heads have an interactive appeal as viewers pose for pictures in front of their zodiac animal. Much like Western astrological signs, the Chinese zodiac signs also have specific characteristics and traits assigned to them – both good and bad.  A person’s zodiac symbol was (and is) culturally significant in many parts of Asia, where a person’s zodiac sign is sometimes seriously considered when entering a relationship.

This cultural significance is something that Ai Weiwei likes to utilize in many of his works to communicate his messages, often indicated by referencing objects that are almost synonymous with Chinese traditions and values.

Charles Loring Elliott carte-de-visite – AA/PG Library

Charles Loring Elliott portrait photograph
Charles Loring Elliott carte-de-visite

Charles Loring Elliott (born Scipio, NY, 1812; died Albany, NY, 1868)

At the time of his death, Charles Loring Elliott was one of the most well-known American portrait painters of the mid-19th century. The artist vertical file at the Smithsonian American Art Museum/National Portrait Gallery (AAPG) Library contains several contemporaneous multi-page eulogies and/or reminiscences on Elliott’s life and career. In 1867, Henry Tuckerman claimed that Elliott had painted almost 700 portraits – a truly prolific life’s work if indeed true.

What is an artist’s book?

“Some books are to be tasted, others to be swallowed, and some are to be
chewed and digested.”

 ~Francis Bacon, Essays (1625) Bacon’s Essays By Francis Bacon, Richard Whately.

 

 

We have talked about artists’ books on the Smithsonian Libraries blog before. And we’ll talk about them more, as a part of a short series to highlight interesting works of book art owned by the Smithsonian’s American Art & Portrait Gallery Library.

But what, exactly, is an artist’s book? You may not be able to tell just from looking at the object itself!