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Passing the Torch: George Grosz to Marshall Glasier to Robert Cenedella

Ephemera relating to Marshall Glasier, George Grosz, and Robert Cenedella from "Igniting Artistic Consciousness"
Ephemera relating to Marshall Glasier, George Grosz, and Robert Cenedella from “Igniting Artistic Consciousness”

In conjunction with the recently opened exhibition “Igniting Artistic Consciousness: Ephemera of Twentieth Century Instructors of the Art Students League of New York” produced by Michelle Ibarra at the American Art and Portrait Gallery (AA/PG) Library, the blog has been exploring themes and artists featured in the exhibit, which will be on display through December 2017. Interested in the Art Students League and participating in Wikipedia? Join us for the Art Students League Archive Edit-a-thon in our library on September 29th.

Significant donation from the Art Students League of New York

Alumni, Art Student’s League, 1950. National Portrait Gallery, Smithsonian Institution; gift of Arnold Newman. NPG.91.89.56

The Smithsonian Libraries is pleased to announce the donation of research ephemera for more than 4,000 artists from the Art Students League of New York (ASL), to be housed at the American Art Museum and Portrait Gallery (AA/PG) Library.

Hard-edged, Bright Color: Generations of Color

Thomas Downing's examples of grids and dots
Thomas Downing’s examples of solid dots within rigid grids

In conjunction with the exhibition “Hard-edged, Bright Color: The Washington Color School” at the American Art and Portrait Gallery (AA/PG) Library, the blog will be exploring the group of color artists to accompany the exhibit running until late spring. We’ll be exploring three of the “first generation” Washington Color School artists: Thomas Downing, Howard Mehring, and Paul Reed.

Hard-edged, Bright Color: Pure Color

Morris Louis ephemera from "Hard-edged, Bright Color"
Morris Louis ephemera from “Hard-edged, Bright Color”

In conjunction with the exhibition “Hard-edged, Bright Color: The Washington Color School” at the American Art and Portrait Gallery (AA/PG) Library, the blog will be exploring the group of color artists to accompany the exhibit running until late spring. We’ll be exploring three of the “first generation” Washington Color School artists: Morris Louis, Kenneth Noland, and Gene Davis. You can read the first post in this series here.

The 1950s and 1960s saw the emergence of a new ‘School’ in the American capital, the Washington Color School. Experimenting with fields of bright colors achieved by applying thinned paint onto large canvases, these artists sought to enrapture a viewer without the use of narrative or symbolism.