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Tag: Art

Honolulu Calling: A Tapa Barkcloth Binding for a 1930 Phone Book from the Royal Hawaiian Hotel

Tapa Cloth front cover for the Hawaiian Telephone Directory
Front cover of the Tapa cloth binder for the Winter 1930 Telephone Directory for the Territory of Hawaii

The Smithsonian Institution Libraries recently acquired a telephone book. Big deal, you say? Ah, but this is a telephone directory for the territory of Hawaii, issued for the winter of 1930. For that reason alone, it’s fun to browse through, to see the old advertisements and daydream about living in the gorgeous Hawaiian Islands, back in the days when the entire list of businesses and households in the territory which owned telephones could be recorded in one slim volume.

But this isn’t just any old phone book. This particular copy belonged to the Royal Hawaiian Hotel in Honolulu, which opened in February 1927 on the spectacular Waikiki beachfront. Known as “the Pink Palace of the Pacific,” the Royal Hawaiian Hotel was one of the earliest luxury resorts established in this tropical paradise. The stylish décor featured at the Royal Hawaiian Hotel, inspired partly by the native crafts of the South Sea Islanders, exerted a lasting influence upon tourists from the mainland, who came to associate the good life in Hawaii with vivid patterns reminiscent of exotic plants, birds, marine life, sunshine, and ocean waves.

Yesterday’s World of Tomorrow: A Souvenir from the World’s Fair

New York World’s Fair Map 1939

This post was contributed by Rachel Blier, an intern for the American Art and Portrait Gallery Library from June to September 2012.

One of my favorite parts of my time at the AA/PG library has been working with the rare books collection. Between the artists’ books, the unusual cartoons and caricatures in the Ray Smith collection, and the occasional doodle or signature from an artist, it’s a very exciting part of the library—and one that an ordinary visitor wouldn’t have the opportunity to see.

Nobody ever dies of it: The artists’ books of Ida Applebroog

Ida Applebroog’s artists’ books have a way of making you feel slightly uncomfortable without really knowing why. At least that is the effect her small books have on me. My first encounter with them had me feeling generally uncertain, thinking not only “What are these things?” but also “Why are these things?” Even after reading several of her books, I still did not understand exactly what her images represented. I had to read about Applebroog’s books to better understand.

Research value? Taking the long view with weeding and digitizing at the AA/PG Library

The Real Latin Quarter

–This post was contributed by Kimberly Lesley, American Art and Portrait Gallery Library intern, summer 2012.

This summer I had the opportunity to work on two projects at the Smithsonian American Art Museum/National Portrait Gallery Library: evaluating titles from the print reference section and selecting public domain titles for digitization. The majority of time was spent on the former, evaluating once heavily relied upon indexes and reference titles against databases and open access online resources. As I paged through volumes of reference titles I was grateful for the vast amounts of information available online with a few keywords and a couple clicks.

Mysteries in the Library

Bolton's Whistler notebook

–This post was contributed by Allison Brice, American Art and Portrait Gallery Library intern.

I often joke with those who ask me about my academic studies that I am getting a degree in ‘old stuff’. With a major in history and two minors in art history and medieval studies, I must admit that I find anything from the last half-century rather boring. So when my supervisor at the American Art and Portrait Gallery Library told me to go down into the rare books section and find some ‘old stuff’ to put up for our Adopt-a-Book project…well, I was in heaven.

Federal Art Project material in the Vertical Files

Index of American Design
Index of American Design

This post was written by Kate Wilson, a 2012 spring intern at the Smithsonian American Art Museum/National Portrait Gallery Library (AAPG Library).

I have background and work experience in both library and archival science – I’ve worked equally in both types of institutions and enjoy the hands-on, primary resources I find in archival work but the interaction, service, and reference I get from working in libraries. The AAPG Library’s Art & Artist File combine my love of primary documentation and reference work, and it is in this unique collection that I found a trove of original promotional materials for the short-lived Federal Art Project, the fine arts arm of the Works Project Administration.

Can I douse you in salad dressing? Ed Ruscha’s Artists’ Books

Artists’ Books by Ed Ruscha, at the AA/PG Library

“If there is any facet of my work that I feel was kissed by angels, I’d say it was my books. My other work is definitely tied to a tradition, but I’ve never followed tradition in my books.” Ed Ruscha, in an interview with David Bourdon in Art News, April 1972.

In this series on artists’ books at the AA/PG Library, we are starting off with Ed Ruscha, the American artist known primarily for his large canvas paintings that incorporate words or phrases.