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Smithsonian Libraries and Archives / Unbound

Willie Vocalite and The Electrical Circus

This post was written by Tracee Haupt, an intern at the National Museum of American History Library. Tracee is a graduate student in the University of Maryland’s dual-degree master’s program for History and Library Science.

At six and a half feet tall and three hundred and fifty pounds, Willie Vocalite was an imposing figure. “The Man Who Isn’t a Man,” as a 1934 booklet uncovered in our Trade Literature Collection described him, was barrel-chested with gleaming red eyes and a friendly expression. He was often pictured with a cigarette hanging jauntily from his lips, and later in his career he adopted a fashionable mustache that gave him the cavalier look of a 1930s movie star. Willie was a star of sorts–beginning in 1931, his act toured America from coast to coast drawing hundreds of thousands of spectators eager to see the “world famous robot” who could move, talk, and respond to voice commands.

Beer on Board in the Age of Sail

Fierce ship of war in Lazari Bayfii Annotationes in legem II De captiuis & postliminio reuersis (1537; link)

Brewing and seafaring are mainstays of ancient human endeavors. Beer was first fermented by at least the 5th millennium BC in Mesopotamia. From the land between the Tigris and Euphrates Rivers of the Fertile Crescent, the grain beverage either traveled along trade routes or was spontaneously developed in other ancient civilizations (including Egyptian, Grecian, Roman, Norse, Aztec, Chinese) before landing in northern Europe in the early medieval period. Producing beer became a standard domestic chore in households, and later, on a slightly larger scale, in taverns and monasteries.

‘The whole man at once:’ Scientific identities at the Dibner Library – Maria Gaetana Agnesi

“George Sarton, a founder of the history of science as an academic discipline, argued that scholars should pay close attention to portraits. These images, he said, can give you ‘the whole man at once.’ With a ‘great portrait,’ Sarton believed, ‘you are given immediately some fundamental knowledge of him, which even the longest descriptions and discussions would fail to evoke.’ Sarton’s ideas led Bern Dibner to purchase portrait prints of men and women of science and technology. Many of these are now in the Smithsonian’s Dibner Library of the History of Science and Technology.” – Deborah Jean Warner, Curator, Physical Sciences Collection

A picture may tell 1000 words, but another 500 for context can add depth to the image. Although this particular portrait is not held in the Dibner Library, this fascinating woman of science is well-worth exploring through her visual depiction. Follow this blog series to discover the people behind the portraits.

Finding family ties in the American Art and Portrait Gallery Library

Librarian Anne Evenhaugen and Cristina Price perusing a carte de visite album.

On a rainy April morning, Smithsonian Libraries Advisory Board member Amy Threefoot Valeiras and her family visited the American Art and Portrait Gallery Library (AA/PG). What they found surprised everyone!

Anne Evenhaugen and Alexandra Reigle, staff at the AA/PG Library, selected a variety of books and artists’ books to show our visitors. One of these was a carte de visite book, featuring photographic trading cards for nineteenth-century American painters. (What is a carte de visite, you ask? Click here to learn more!) After a few turns of the page, Amy’s sister-in-law, Cristina Price, stumbled upon a familiar face and name: her own distant relative W.T. Richards!

I See Wonder: Education and Evaluation

This post was written by Louise To, Professional Development intern in the Smithsonian Libraries’ Education Department. Interesting in interning with our Education Department? Apply for a virtual opportunity before July 26th.

Hi. I’m Louise. I’m currently completing a dual-degree Master’s program in Learning Design and Technology (M.Ed.) and Library and Information Sciences (MLIS) at the University of Hawai‘i at Mānoa. I was born and raised in Honolulu, Hawai‘i.

Newly Digitized: Japanese Illustrated Books from the Edo and Meiji Periods (1600-1912)

The Freer | Sackler Library of the Smithsonian Libraries have completed digitizing over 1100 volumes/41500 images from its collection of illustrated Japanese woodblock-printed books and manuscripts from the Edo and Meiji periods (1600-1912). The Libraries’ digitization project was generously funded by the Anne van Biema Endowment Fund.