2016 has been a landmark year for the Smithsonian Libraries. Because of donors like you, the Libraries is able to continue in its role as the pinnacle of museum libraries, serving as a scholarly resource for Smithsonian researchers and curators and for brilliant thinkers from all around the world, as well as increasing access into our collections for learners of all ages. Some examples of what we have been able to accomplish in 2016 are:
Month: November 2016
December 1st is the 170th birthday of William Henry Holmes, the Smithsonian’s own Renaissance man. Early in the Smithsonian’s history, Holmes served as the head of the Anthropology Department and later the first director of what would become the Smithsonian American Art Museum. Starting today, we’re celebrating his legacy.
November is Native American Heritage Month. The Smithsonian Libraries has many intriguing resources about Native American history, especially in the Vine Deloria, Jr. Library, National Museum of the American Indian. I was recently reminded of this as I came across The Penn Wampum Belts by Frank Gouldsmith Speck (1925).
The big Thanksgiving meal is fast approaching and for many that means a well-dressed table, perhaps with heirloom china. What would your dinner table have looked like for a nice meal or tea over a hundred years ago, maybe back when Great-great Aunt Agnes first started filling her china cabinet? The Trade Literature Collection includes catalogs illustrating dinnerware, glassware, cutlery, and cooking utensils which can give us a glimpse into the past. One of these catalogs is from the Fall and Winter seasons of 1899-1900.
The year 2016 marks the 100th anniversary of the “Escadrille Américaine” or the Lafayette Escadrille. Created on December 6, 1916, the Escadrille (or “squadron”) holds a unique place both in more »
The Smithsonian Libraries are contributing an Ozzy blog post in honor of The National Museum of American History’s kickstarter campaign to #Keep Them Ruby. Sometimes referred to as “the Harry more »
In conjunction with the exhibition “Hard-edged, Bright Color: The Washington Color School” at the American Art and Portrait Gallery (AA/PG) Library, the blog will be exploring the group of color artists to accompany the exhibit running until late spring. We’ll be exploring three of the “first generation” Washington Color School artists: Morris Louis, Kenneth Noland, and Gene Davis. You can read the first post in this series here.
The 1950s and 1960s saw the emergence of a new ‘School’ in the American capital, the Washington Color School. Experimenting with fields of bright colors achieved by applying thinned paint onto large canvases, these artists sought to enrapture a viewer without the use of narrative or symbolism.