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Category: History and Culture

It’s Your Deal. Five Card Stud, or… Whist?

L: Book illustration (England), 1816; engraving. Title page: From an ancient print engraved by Israel Van Mecken. Researches into the history of playing cards; with illustrations of the origin of printing and engraving on wood … By Samuel Weller Singer. London, R. Triphook, 1816. GV1233 .S61X CHMRU. Smithsonian Libraries. R: Acorn suit of playing cards. Book illustration (England), 1816; engraving. German playing cards, Plate VII. (with suits of bells, hearts, leaves and acorns). 15th century. GV1233 .S61X CHMRU. Smithsonian Libraries.

 

The Cooper Hewitt, Smithsonian Design Museum Library owns books like Researches into the history of playing cards (1816) that support research into the objects in the museum’s curatorial departments.  In studying this book, I was able to make a connection between the book illustrations and some playing cards in the Cooper Hewitt Museum’s Drawings & Prints collections.  This book is an in-depth research into the history of playing cards, with black and white engravings, and eight hand-colored woodcuts. Smithsonian Libraries’ has an Adopt-a-Book Program that provides essential funding to support the conservation, acquisition, and digitization of books and manuscripts. In addition to adopting books online, the Cooper Hewitt Library will be having a special Adopt a Book event on Nov.7th, 2017 in the museum in New York City.  This title is one of the books up for adoption to fund its preservation treatment.

Beyond Blackboards: Teaching Aids in an 1874 Classroom

It’s September and students across the country are now well-settled in their new classrooms, many filled with laptops and high tech, interactive white boards.  What would you expect to find in an 1874 schoolroom? This trade catalog from that year shows typical furniture but also illustrates a few more things, like teaching aids. Though a little lower tech than today’s models, some are still quite innovative.

Wonder Woman investigated: National Comic Book Day at the Dibner Library

Amid the manuscripts, incunabula and early modern texts at the Dibner Library of the History of Science and Technology are two bright blue binders that don’t seem to quite fit, in every sense of the word. Too big for the shelf and too 20th century for the Dibner, don’t judge these books by their covers! In honor of National Comic Book Day we would like to highlight two of the Dibner’s most popular holdings—William Moulton Marston’s letters and scripts for the original Wonder Woman comic book series.

Archives and the Persistence of Living Memory

Intern Patrice Green, outside of the National Museum of African American History and Culture.

Patrice Green is a Smithsonian Minority Awards Intern with Smithsonian  Libraries at the National Museum of African American History and Culture. She is currently pursuing a dual master’s in Public History and Library and Information Science at the University of South Carolina, where her focus is Archives and Preservation Management.

As a public history and library/information science student at the University of South Carolina, I often find myself confronting living memory. In the archives profession, it becomes even more apparent, especially when cultivating relationships with donors, friends, and other supporters of an information or cultural institution. This summer, I had the wonderful opportunity to intern as a Minority Awards Scholar with Smithsonian Libraries (SIL) at the National Museum of African American History and Culture (NMAAHC), funded generously by the Office of Fellowships and Internships (OFI) and supervised by archivist Ja-Zette Marshburn. In these ten weeks, I have learned a tremendous amount about the profession of archives, libraries, and museums. I gained experience in everything from data entry and object handling to consulting and appraisal. I discovered the depth of the collections at the Smithsonian, as well as how far the subject matter spreads. I learned exactly how important it was to separate archival collections from curatorial ones. Perhaps most importantly, I was reminded that the profession is all about stories and those who work to preserve them.