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Category: History and Culture

‘The whole man at once:’ scientific identities at the Dibner Library – Augustin-Louis Cauchy

“George Sarton, a founder of the history of science as an academic discipline, argued that scholars should pay close attention to portraits. These images, he said, can give you ‘the whole man at once.’ With a ‘great portrait,’ Sarton believed, ‘you are given immediately some fundamental knowledge of him, which even the longest descriptions and discussions would fail to evoke.’ Sarton’s ideas led Bern Dibner to purchase portrait prints of men and women of science and technology. Many of these are now in the Smithsonian’s Dibner Library of the History of Science and Technology.” – Deborah Jean Warner, Curator, Physical Sciences Collection

A picture may tell 1000 words, but another 500 for context can add depth to the image. Follow this blog series to discover the people behind the portraits available online in the Scientific Identity collection.

 

Willie Vocalite and The Electrical Circus

This post was written by Tracee Haupt, an intern at the National Museum of American History Library. Tracee is a graduate student in the University of Maryland’s dual-degree master’s program for History and Library Science.

At six and a half feet tall and three hundred and fifty pounds, Willie Vocalite was an imposing figure. “The Man Who Isn’t a Man,” as a 1934 booklet uncovered in our Trade Literature Collection described him, was barrel-chested with gleaming red eyes and a friendly expression. He was often pictured with a cigarette hanging jauntily from his lips, and later in his career he adopted a fashionable mustache that gave him the cavalier look of a 1930s movie star. Willie was a star of sorts–beginning in 1931, his act toured America from coast to coast drawing hundreds of thousands of spectators eager to see the “world famous robot” who could move, talk, and respond to voice commands.

‘The whole man at once:’ Scientific identities at the Dibner Library – Maria Gaetana Agnesi

“George Sarton, a founder of the history of science as an academic discipline, argued that scholars should pay close attention to portraits. These images, he said, can give you ‘the whole man at once.’ With a ‘great portrait,’ Sarton believed, ‘you are given immediately some fundamental knowledge of him, which even the longest descriptions and discussions would fail to evoke.’ Sarton’s ideas led Bern Dibner to purchase portrait prints of men and women of science and technology. Many of these are now in the Smithsonian’s Dibner Library of the History of Science and Technology.” – Deborah Jean Warner, Curator, Physical Sciences Collection

A picture may tell 1000 words, but another 500 for context can add depth to the image. Although this particular portrait is not held in the Dibner Library, this fascinating woman of science is well-worth exploring through her visual depiction. Follow this blog series to discover the people behind the portraits.