August 2019 will mark the 50th anniversary of the mother of contemporary music festivals: Woodstock. Held over three days in 1969, the festival featured three-days of performances for folk and rock artists like Joan Baez, Janis Joplin, and Jimi Hendrix. The legacy of the festival was cemented by the Woodstock documentary and a song of the same name by folk luminary, Joni Mitchell. That’s a lot of talk about Woodstock when the festival wasn’t actually held there. Woodstock the event was actually held in Bethel, a neighboring town in upstate New York. Woodstock itself wasn’t even considered as a site for the festival. According to Woodstock the Oral History (1989) the only connection between the concert and the town is that the event’s promoters originally considered building a music studio in Woodstock, NY and incorporated under the name Woodstock Ventures. So what about the other Woodstock? Though it didn’t host the eponymous music festival, Woodstock, NY had been home to a thriving art colony since the early 1900s.
Tag: American Art and Portrait Gallery Library
In the series called “The ABCs of the Corcoran Artist Files” the American Art and Portrait Gallery (AA/PG) Library will explore artists through the materials from the recent Corcoran Vertical File Collection donation by featuring artists whose surnames begin with that letter. This time we are looking at the artists whose last names that start with J.
We are back with another entry of the ABCs of the Corcoran! This month we have some great files with rich materials on artists with strong ties to the Washington, D.C. area.
Mary Vaux Walcott (1860-1940), was a botanist, glacial geologist, and artist, whose work was instrumental in the development of a new technique for printing which came to be known as more »
On the occasion of Between Worlds: The Art of Bill Traylor, the first major retrospective ever organized for an artist born into slavery and the most comprehensive look at Bill Traylor’s work to date, at the Smithsonian American Art Museum, Sept. 28, 2018 – Mar. 17, 2019, we take a look at a special Traylor work in our library collections.
Bill Traylor’s art is colorful—floating silhouettes of yellow, red and purple dogs, rabbits and snakes; brown, green and blue people walking, talking, working and drinking. Set against simple backgrounds, Traylor’s inspired figures interpreted the world of his youth on Alabama plantation farms through the world of his old age, the downtown streets of Montgomery.
In the series called “The ABCs of the Corcoran Artist Files” the American Art and Portrait Gallery (AA/PG) Library will explore artists through the materials from the recent Corcoran Vertical File Collection donation by featuring artists whose surnames begin with that letter. This time we are looking at the artists whose last names start with I.
This post was contributed by Jessica Downie, 2018 Smithsonian American Art Museum summer intern with the American Art and Portrait Gallery (AA/PG) Library, and a rising senior at Bucknell University.
During my internship this summer, I have been working to merge a recent donation of materials from the Arts Students League of New York (ASL) with the AA/PG Library’s Art & Artist Files. Through the process I have come across a variety of different catalogs, announcements as well as letters and personal notes written to the director, secretary, and archivists of the ASL.
There was always going to be something beautiful at the corner of 8th and F Streets in northwest Washington D.C. Pierre L’Enfant, in his earliest plans for the city, originally more »