This is the seventh and final post in a series about the Art Deco resources at the Cooper Hewitt, Smithsonian Design Museum library. Each post will highlight primary resources which contain the more »
Saturated: The Allure and Science of Color debuted at the Cooper Hewitt, Smithsonian Design Museum (New York, NY) in May 2018. The exhibition explores the elusive, complex phenomenon of color more »
All incoming students in The New School Parsons History of Design and Curatorial Studies (MA) Masters’ Degree Program at the Cooper Hewitt, Smithsonian Design Museum take an object and research based class called Pro-Seminar. This course trains students in conducting formal analyses, writing catalog entries, and making visual presentations that require students to conduct and integrate primary and secondary source research. Students select one work from the museum collection to study during this first semester, that ”work” can be a book from the Cooper Hewitt Design Library presented by staff during curatorial orientations. Phobia was chosen as a Pro-Seminar topic by Joseph T. McPartlin in the fall of 2015.
This post was written by Brittney Falter, a graduate student at George Mason University and social media intern at the Smithsonian Libraries. Le Garde-meuble, ancien et moderne (Furniture repository, ancient more »
What better day to celebrate one of our favorite French fashion periodicals than January 15th – known in some corners of the internet as “National Hat Day”. In the pages of Gazette du Bon Ton, fantastic head adornments certainly abound:
Ein Wintermärchen (a winter story) is a children’s book from our Cooper Hewitt, Smithsonian Design Museum Library. The library holds an extensive collection of children’s books, around 2,000, with 1,200 more »
This is a two-part series on the Hewitt sisters. Read part one.
By 1897, Sarah and Eleanor had collected enough to formally open their museum on the fourth floor of the Cooper Union. In the tradition of their grandfather, the Hewitt sisters wanted to actualize a museum and library that were not just a showcase, but also tools—places that students and designers could come to for reference and inspiration, then go out and create their own innovative objects. In the birth of the Cooper Union Museum for the Arts of Decoration, the sisters embodied the increasingly democratic attitudes that grew to dominate the 20th century. Their museum was to be open to everyone, with “no tedious restrictions and formalities,” which were often imposed by the exclusive art galleries of the era. Indeed, their museum provided a means for many women to gain economic independence through art and design.