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Tag: portraits

‘The whole man at once:’ scientific identities at the Dibner Library – Augustin-Louis Cauchy

“George Sarton, a founder of the history of science as an academic discipline, argued that scholars should pay close attention to portraits. These images, he said, can give you ‘the whole man at once.’ With a ‘great portrait,’ Sarton believed, ‘you are given immediately some fundamental knowledge of him, which even the longest descriptions and discussions would fail to evoke.’ Sarton’s ideas led Bern Dibner to purchase portrait prints of men and women of science and technology. Many of these are now in the Smithsonian’s Dibner Library of the History of Science and Technology.” – Deborah Jean Warner, Curator, Physical Sciences Collection

A picture may tell 1000 words, but another 500 for context can add depth to the image. Follow this blog series to discover the people behind the portraits available online in the Scientific Identity collection.

 

‘The whole man at once:’ Scientific identities at the Dibner Library – Maria Gaetana Agnesi

“George Sarton, a founder of the history of science as an academic discipline, argued that scholars should pay close attention to portraits. These images, he said, can give you ‘the whole man at once.’ With a ‘great portrait,’ Sarton believed, ‘you are given immediately some fundamental knowledge of him, which even the longest descriptions and discussions would fail to evoke.’ Sarton’s ideas led Bern Dibner to purchase portrait prints of men and women of science and technology. Many of these are now in the Smithsonian’s Dibner Library of the History of Science and Technology.” – Deborah Jean Warner, Curator, Physical Sciences Collection

A picture may tell 1000 words, but another 500 for context can add depth to the image. Although this particular portrait is not held in the Dibner Library, this fascinating woman of science is well-worth exploring through her visual depiction. Follow this blog series to discover the people behind the portraits.

‘The whole man at once:’ scientific identities at the Dibner Library — Edward Jenner

“George Sarton, a founder of the history of science as an academic discipline, argued that scholars should pay close attention to portraits. These images, he said, can give you ‘the whole man at once.’ With a ‘great portrait,’ Sarton believed, ‘you are given immediately some fundamental knowledge of him, which even the longest descriptions and discussions would fail to evoke.’ Sarton’s ideas led Bern Dibner to purchase portrait prints of men and women of science and technology. Many of these are now in the Smithsonian’s Dibner Library of the History of Science and Technology.”

Deborah Jean Warner, Curator, Physical Sciences Collection  

1970s Face-off: Portrait Exchange by Jamie Wyeth and Andy Warhol

This post was written by Sofia Silva, Katzenberger Intern at the Hirshhorn Museum and Sculpture Garden Library and American Art & Portrait Gallery Library as part of a series exploring the Art & Artists Files at the Smithsonian Libraries.

 

Cover of the invitation to the 1976 exhibition "Andy Warhol and Jamie Wyeth Portraits of Each Other" at the Coe Kerr Gallery-- Hirshhorn
Cover of the invitation to the 1976 exhibition “Andy Warhol and Jamie Wyeth Portraits of Each Other” at the Coe Kerr Gallery– Hirshhorn Museum and Sculpture Garden Library.

 

Though contemporaries, the artists James Browning Wyeth and Andy Warhol could not be more diametrically opposed. James, more commonly known as Jamie, is a third-generation member of the famed Wyeth family, who are celebrated as central figures in the revival of realism in American art (his father is Andrew Wyeth, painter of the American classic Christina’s World and his grandfather, N.C. Wyeth is acclaimed painter of vast landscapes and epic narratives of early Americana). Jamie continued this family tradition as a portraitist and landscape painter, whose naturalistic approach to painting produced highly detailed and visually complex work that captured life in rural Maine, Delaware and Pennsylvania.

Elaine de Kooning: Portraits in the Art and Artist Files

Announcement for Elaine de Kooning's exhibition of portraits at Washburn Gallery, 1994-- AAPG
Announcement for Elaine de Kooning’s exhibition of portraits at Washburn Gallery, 1994– AAPG

The National Portrait Gallery is currently exhibiting the work of Elaine de Kooning in the show Elaine de Kooning: Portraits, organized by Brandon Brame Fortune, the Portrait Gallery’s chief curator and senior curator of painting and sculpture. Elaine was an active member of the Abstract Expressionists in New York, a group known for a style defined by vivid colors, spontaneity and emotive strokes of thick, layered paint on monumental canvases. She married fellow Abstract Expressionist Willem de Kooning in 1943. However, Elaine’s work was not solely abstract, in fact, the majority of her work is representational in nature—a style that could be categorized as Figurative Expressionism.