Mary Vaux Walcott (1860-1940), was a botanist, glacial geologist, and artist, whose work was instrumental in the development of a new technique for printing which came to be known as more »
Tag: Women’s History
In 16th-century Spain, manuals detailing the finer points of sailing and navigation were printed. It was the Age of Discovery and the country was establishing lucrative trade routes across the seas while expanding their colonial empire. Other nations were keen to tap into the Spaniards’ great expertise found in this literature, as there was little maritime information published elsewhere. Books were a means of developing knowledge of geography and voyaging to be competitive in trade to parts unknown. Given the economic incentives, there was a high demand for translations.
Around March, I’ll be forgiven if I start to pay a little more attention to the genders of the people I come across in our digital book and journal collection. After all, it is Women’s History Month. But one journal I keep coming back to is Keramic Studio, a monthly ceramics magazine produced around the turn of the 20th century that we digitized a couple years ago as part of our Books Online collection. Adelaide Alsop-Robineau began the journal in 1899, and it continued to be published into the 1920s. The work featured in the early years of the journal was primarily contributed by women, including Alsop-Robineau herself, along with her co-editor Anna B. Leonard. Both women were well known ceramics painters and designers. I find myself returning to the journal and perusing the many images and illustrations, especially when I need a dose of design inspiration.
As part of my duties in wrangling data for Smithsonian Research Online, I worked on a project to collect and ingest the historic legacy of published scholarship produced by Smithsonian researchers since the Institution’s inception in 1846. The main focus of my participation is cleaning and preparing the data, but I find it hard to resist not paying attention to its historic significance. I’ll admit occasionally getting lost thinking about what it was like to be on the front lines of natural history research, identifying and describing new species.