In a society that largely relies on motor vehicles for transportation, or even for sport, it may seem difficult to understand why it was so monumental for a plucky twenty-year-old woman to be more »
Tag: Women’s History
The Smithsonian Libraries invites you to the third in a series of talks related to our newest exhibition, Magnificent Obsessions: Why We Collect: Beyond Brontë: The Essential Act of Collecting Books more »
Mary Vaux Walcott (1860-1940), was a botanist, glacial geologist, and artist, whose work was instrumental in the development of a new technique for printing which came to be known as more »
Around March, I’ll be forgiven if I start to pay a little more attention to the genders of the people I come across in our digital book and journal collection. After all, it is Women’s History Month. But one journal I keep coming back to is Keramic Studio, a monthly ceramics magazine produced around the turn of the 20th century that we digitized a couple years ago as part of our Books Online collection. Adelaide Alsop-Robineau began the journal in 1899, and it continued to be published into the 1920s. The work featured in the early years of the journal was primarily contributed by women, including Alsop-Robineau herself, along with her co-editor Anna B. Leonard. Both women were well known ceramics painters and designers. I find myself returning to the journal and perusing the many images and illustrations, especially when I need a dose of design inspiration.
As part of my duties in wrangling data for Smithsonian Research Online, I worked on a project to collect and ingest the historic legacy of published scholarship produced by Smithsonian researchers since the Institution’s inception in 1846. The main focus of my participation is cleaning and preparing the data, but I find it hard to resist not paying attention to its historic significance. I’ll admit occasionally getting lost thinking about what it was like to be on the front lines of natural history research, identifying and describing new species.