This post was written by James Truitt, intern in the Joseph F. Cullman 3rd Library of Natural History.
In August, the National Museum of Natural History opened Narwhal: Revealing an Arctic Legend, an exhibition about the tusked whale monodon monoceros sometimes called the unicorn of the sea. Most of the exhibit focuses on narwhal biology, arctic ecology, and Inuit culture, but one section breaks from the polar theme to explore another legacy of the narwhal—the mythical unicorn.
In conjunction with the recently opened exhibition “Igniting Artistic Consciousness: Ephemera of Twentieth Century Instructors of the Art Students League of New York” produced by Michelle Ibarra at the American Art and Portrait Gallery (AA/PG) Library, the blog has been exploring themes and artists featured in the exhibit, which will be on display through December 2017. Interested in the Art Students League and participating in Wikipedia? Join us for the Art Students League Archive Edit-a-thon in our library on September 29th.
This post was written by Amy Skipper, summer intern in the Smithsonian Libraries Education department. What do you see? What do you wonder? These are the questions students are given more »
Samuel Snodgrass is a Katzenberger Foundation Art History Intern with Jacqueline Protka at the Smithsonian Libraries branch in the Hirshhorn Museum and Sculpture Garden with the project, “Modern and Contemporary Art: A to more »
Patrice Green is a Smithsonian Minority Awards Intern with Smithsonian Libraries at the National Museum of African American History and Culture. She is currently pursuing a dual master’s in Public History and Library and Information Science at the University of South Carolina, where her focus is Archives and Preservation Management.
As a public history and library/information science student at the University of South Carolina, I often find myself confronting living memory. In the archives profession, it becomes even more apparent, especially when cultivating relationships with donors, friends, and other supporters of an information or cultural institution. This summer, I had the wonderful opportunity to intern as a Minority Awards Scholar with Smithsonian Libraries (SIL) at the National Museum of African American History and Culture (NMAAHC), funded generously by the Office of Fellowships and Internships (OFI) and supervised by archivist Ja-Zette Marshburn. In these ten weeks, I have learned a tremendous amount about the profession of archives, libraries, and museums. I gained experience in everything from data entry and object handling to consulting and appraisal. I discovered the depth of the collections at the Smithsonian, as well as how far the subject matter spreads. I learned exactly how important it was to separate archival collections from curatorial ones. Perhaps most importantly, I was reminded that the profession is all about stories and those who work to preserve them.
Interested in learning more about libraries and museums with a Smithsonian Libraries internship? Fall applications are open until August 15th! More information here: https://library.si.edu/GeneralInternships As I reflect back on my more »
This post was written by Tracee Haupt, an intern at the National Museum of American History Library. Tracee is a graduate student in the University of Maryland’s dual-degree master’s program for History and Library Science.
At six and a half feet tall and three hundred and fifty pounds, Willie Vocalite was an imposing figure. “The Man Who Isn’t a Man,” as a 1934 booklet uncovered in our Trade Literature Collection described him, was barrel-chested with gleaming red eyes and a friendly expression. He was often pictured with a cigarette hanging jauntily from his lips, and later in his career he adopted a fashionable mustache that gave him the cavalier look of a 1930s movie star. Willie was a star of sorts–beginning in 1931, his act toured America from coast to coast drawing hundreds of thousands of spectators eager to see the “world famous robot” who could move, talk, and respond to voice commands.