Few who walk past the Bethesda Fountain in New York City’s Central Park know the history behind the angel statue, standing high atop the fountain with wings outstretched. This sculpture, called Angel of the Waters, has been the backdrop for many movies and TV shows. The sculpture was made by a wealthy New York sculptor named Emma Stebbins, an artist featured in an album of cartes-de-visites (small, collectible photo cards) of notable 19th century American artists, located in the American Art and Portrait Gallery Library collection. Little is known about Stebbins, even though Angel of the Waters, as noted recently in the New York Times, was “the first public art commission ever awarded to a woman in New York City.”[i] However, what is known about Stebbins has been gleaned from the letters and press coverage of her relationship with famous American actress Charlotte Cushman.
Tag: Women’s History
With Mother’s Day in our recent memory, it’s the perfect to remember one of the most familiar and loved matriarchs in American literature: Marmee, from Little Women. The American Art more »
In a society that largely relies on motor vehicles for transportation, or even for sport, it may seem difficult to understand why it was so monumental for a plucky twenty-year-old woman to be more »
The Smithsonian Libraries invites you to the third in a series of talks related to our newest exhibition, Magnificent Obsessions: Why We Collect: Beyond Brontë: The Essential Act of Collecting Books more »
Mary Vaux Walcott (1860-1940), was a botanist, glacial geologist, and artist, whose work was instrumental in the development of a new technique for printing which came to be known as more »
Around March, I’ll be forgiven if I start to pay a little more attention to the genders of the people I come across in our digital book and journal collection. After all, it is Women’s History Month. But one journal I keep coming back to is Keramic Studio, a monthly ceramics magazine produced around the turn of the 20th century that we digitized a couple years ago as part of our Books Online collection. Adelaide Alsop-Robineau began the journal in 1899, and it continued to be published into the 1920s. The work featured in the early years of the journal was primarily contributed by women, including Alsop-Robineau herself, along with her co-editor Anna B. Leonard. Both women were well known ceramics painters and designers. I find myself returning to the journal and perusing the many images and illustrations, especially when I need a dose of design inspiration.